A Quote by Lizzie Brochere

I'm happy to work in the States because there are so many different and interesting projects. I'll go wherever people want me to work. — © Lizzie Brochere
I'm happy to work in the States because there are so many different and interesting projects. I'll go wherever people want me to work.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I just try to keep going and work on projects that are exciting to me, with people I respect and enjoy and want to work with. That takes me in different directions sometimes, but it's all been a pretty good ride.
I think, always, with a new book, I get nervous. I think mostly it is because work is really important to me, and a book doing well is important because it buys you another one. Not because of the money but if you keep doing interesting work, work that people like, they will want you to do more, and offers that are interesting come in.
I'm only ambitious in the sense that I want to work in as many different media as I can and to play characters which are different to me and to each other. I want to do work that frightens me or challenges me, be it in Dublin or Zimbabwe. I just want to be working.
I work on everything all at once, which is maybe the worst way to go about it. But I think that actually it works really well in terms of the serendipitous connections between all of these many different projects and these many different realms.
I just want to do a good job with each role that I take and continue to better myself as an actress because that's what I love about this job... being able to act and work with so many different people on such a wide range of projects.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
The studio does projects all over the world, and in each place, we focus on trying to make a project specific to that place. We take a different perspective everywhere we work - our passion is public projects, wherever they are.
People who believe they'll be happy if they go and live somewhere else, learn it doesn't work that way. Wherever you go, you take yourself with you.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
Being able to go to work every day with such a good friend - especially in this business where your jobs are short, the turnover's fast, and you're working all the time with so many different people, and there's so many different projects going on that the odds are that you could actually book something that hopefully, knock on wood, is a long-term job with one of your best friends - is too good to be true.
I just want to be quiet wherever I go, not seeing people, not facing more pressure, because every time now I go home, I will have so many people waiting for me.
We're really lucky because we have a portable studio, which enables us to work wherever we like. There is some extra work involved in setting everything up, but you can find a lot of magic and inspiration in being free to go somewhere completely different.
A lot of actors want to do a solo release, but not many people go and watch it. The more you work with different actors and producers, the more your work reaches people.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
And there are always people who find their lives have become so unsupportable they believe the best thing they could do would be to hasten their transition to another plane of existence.' 'They kill themselves, you mean?' said Bod. [...] 'Indeed.' 'Does it work? Are they happier dead?' 'Sometimes. Mostly, no. It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you.
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