A Quote by Lizzy Caplan
I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.
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I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever.
I find that working with friends is always the goal, even if its just one person. Because the comedy community is kind of insular, its easy to run into people youve worked with, even if you worked with someone on something for a day, or whatever.
A lot of my close friends are nothing to do with show business. But the people I've had relationships with, invariably, I've worked with. I think that's probably because I grew up in a family where we all worked together, so it's something I feel comfortable with.
I did watching my films with an audience at the beginning when we went to Sundance and we screened The Savages there. I watched it, and I was just praying to God it worked, because we weren't even finished. I was just hoping it worked, so half of it was just, "Phew."
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
How do I find someone for a position I've never worked with - or worked under, even? I feel like I'm not qualified to make a lot of these decisions.
I've always looked at people like Carine Roitfeld, Donatella Versace, DVF...people who when you walk on a set you feel like they still have so much excitement for what they're doing every day and they just have so much youth even though they've been doing it for so long. Every day just working to keep a young spirit - because even when you're young that's hard to do, because you get so caught up in things. I just think it's so important to make an effort every day to have a young spirit. Then when you get older, you always kind of keep that.
For me, I just set little goals for myself and stay on that kind of track and surround myself with positive people along with my teammates. I just kind of have my goals and my dreams, and this is something that we've all been working for our entire lives, so it is kind of easy to wake up and want to better myself every day towards that goal.
You say fate is almost indispensable to literature - I think it's completely indispensable, at least in a novel, because a novel always has a plot. Even if nothing happens, even if someone just spends a day walking around Dublin, or whatever, there's still something going on.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
As an athlete, success is not just about winning; it is about working hard and giving it all you have. I have always taken one match at a time and worked hard; when I succeeded, I worked further on the aspects of the game which worked for me; when I failed, I listed out my weaknesses and worked on them.
Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.
I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'
I've read something that Bill Gates said about six months ago. He said, ‘I worked really, really hard in my 20s.’ And I know what he means, because I worked really, really hard in my 20s too. Literally, you know, 7 days a week, a lot of hours every day. And it actually is a wonderful thing to do, because you can get a lot done. But you can't do it forever, and you don't want to do it forever, and you have to come up with ways of figuring out what the most important things are and working with other people even more.
Someone told me something recently about Sarah Palin, someone I trusted in the book business. They said, "I worked with Palin. She did an event at my bookstore, and she was really, really nice, and even more beautiful in person." I didn't want to hear that. I wanted to hear that she was awful and hideous-looking. But I thought, I have to listen to that. I have to hear that. I don't want to be the one who is going to deny anything complimentary said about somebody just because I disagree with that person.
People who I've worked with are always like, 'Why aren't you doing comedy? You're funny!' because they've only seen the one side. I did do the comedy 'Whatever Works,' with Woody Allen and Larry David.
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