A Quote by Lizzy Caplan
I'm really awkward when people recognize me. I'm not good at it, and for the most part it hadn't happened to me until 'True Blood,' and then, all of a sudden, it started happening all the time.
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Many people are dreaming. Let me rent. Let me have a job. Let me work until I'm 70. That's not what the American Dream used to be. It used to be, let me own a home. Let me retire at 59 and a half or 65 at the latest. Let me do this. And now, really, given what's happened, good luck with anything happening unless you do it yourself.
For the most part, it is really nice when people come up to me, because I do think that people who are awkward relate to me, and that's really nice. It's generally good.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
To be honest with you, girls didn't really start paying attention to me until after 'Clueless' came out. Then, all of a sudden, it was different. And that's the honest-to-goodness truth. I wasn't very popular until that happened. I have zero pickup lines. My game, I guess you could say, is my work.
I think the good thing about 'Take Me Out', which is kind of a compliment to us really, is that when it started doing well round about the second series and people started getting into it, all of a sudden every time you turned over a channel there's a new dating show on.
True Blood and Buffy are both horror-based shows, but I think that they're extremely different from one another. I think it's really cool that I've been able to do True Blood and then this. It's really nice career-wise for me.
I didn't get recognized a whole lot at first, but all of a sudden it just started happening. People would look at me out of the corner of their eye, deciding whether or not they were going to come up to me!
For the most part, I have a very manageable celebrity. People recognize me from time to time, and they usually say very appreciative things. It affords me a great deal of pleasure.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
When I first started on television, people, and even my own manager at the time, would tell me I had to make all of these changes. But you have to stand up and say, 'There's nothing wrong with me or my shape or who I am; you're the one with the problem!' And when you can really believe that, all of a sudden other people start believing, too.
Being a teenage model was lot of fun, like playing dress-up. I'd feel ugly and awkward and chubby, and they'd transform me. Not that that makes everything better. Then my mom shopped the pictures around, I guess, and the agencies started calling. I wound up going with a little agency, Spectrum. It all happened really quickly, I started modeling for magazines like YM and Seventeen, and I did a couple of bigger things like Italian Vogue.
I didn't get started until late. I didn't get started until I was 20. I turned 21 in my first MLS season, in March. It's always been a race against time, really, for me. It's kind of my mentality, to make up for lost time.
At one point I had a stretch where it was working on 'In Treatment,' then 'True Blood,' then 'Durham County,' then 'True Blood,' then 'In Treatment' again. If I didn't have that little dose of 'True Blood' in the middle, I might have lost my mind.
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
I was broke until I was 40. Really broke. I could get by, but I had nothing. No health insurance, so if something happened I was screwed. I was lucky my parents had money and my brother was willing to support me for a long time. Once I started doing standup, I had an income, and that was amazing to me.
Everything kind of happened like: 'Bam!' for me. One minute I was living on a council estate somewhere, then I won the Mercurys, then all of a sudden press and people were in my face.
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