Whenever you're starting a new show, you have these awkward first lunches and meetings that are sort of mandatory, and everybody shows up, but nobody knows each other.
I'm not very knowledgeable when it comes to designers, but I love going to fashion shows just to see the other personalities that show up. It's such an eclectic group, and everybody is sort of like an artist.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.
Nobody's unique. Everybody copies off of each other. Everybody wears the same type of stuff. Nobody's an individual anymore.
Well, everybody knew their character. I was the only one who didn't have a partner. I basically showed up when people got in trouble. Where I came from, I don't know. Nobody knows. But I would show up to help.
I grew up in the Valley, and I didn't know any of our neighbors. I think when you grow up like that, there's always sort of a fantasy of a place where everybody knew each other, and you had that safe sort of feeling.
When you're trying to enter something as intimidating as comedy, starting out with a support network of likeminded people is a powerful thing. It was natural we'd end up working together because we went through those first petrifying moments together. We created gigs for each other, slapped each other on the back, and protected each other.
When Fashion Week ends, I miss the shows and the shot of adrenaline that comes with them. Each day is a new show, a new fitting, and you make new friends. Every season you get to know the other girls a little better.
In international meets, like the Olympics and Asian Games, drug tests are mandatory. When everything is in place, then only will the records be ratified. I am not saying that people are taking drugs. Everybody knows what things are going on on the field. I know; everybody knows what's going on.
When you sit there, and you sing the chorus - and then you look at each other, and everybody has the hair standing up on their arms - then everybody knows you've stumbled onto something.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
I've had meetings with Fidel Castro. I've had meetings with Kim Il-Sung. I've had meetings with other dictators. I've met with the Butcher of Beijing. You know, I think it's important to hear, you know, each other's perspective.
LA's a very hard place to be unless you have people there that love you. It can be very, very lonely, and it can eat you up if you don't take care of yourself. In LA, nobody wants to talk to each other, everybody's giving each other catty looks.
I have always that there ought to be some kind of mandatory national service, not necessarily in the military but to show everybody that freedom isn't free, that everybody has an obligation to the nation as a community.
Let's pretend there's a pandemic. Let's everybody run around and play your role. Main result is that there is tremendous confusion. ... Nobody knows who's in charge. Nobody knows the chain of command.
When I was first pitched the show, I was like, 'Oh, God, a soapy show called 'Mistresses.'' But it wasn't that at all. It wasn't a bunch of women pulling guns on each other and stabbing each other in the back. We really have a core friendship.