A Quote by LL Cool J

I've got to see my movie to see how I'm acting, see what little things I can learn about my craft. — © LL Cool J
I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
I can use movie as a language. Not only could it send a good message, I could let people know about my thinking and how I see the world, how I see the colour, how I see the music, how I see everything.
My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I definitely have a tendency to only see the blemishes of things, and see lots of things about my acting that I don't like. I think I've gotten a little easier on myself, or at least a little more usefully critical of myself. I think before, I just couldn't take looking at myself at all.
As a coach, the more experience you have, the more you're around players, it helps so you see how guys learn, ways that are effective to reach different people. You see the aftermath of all the things that happened; you don't just see what happens at the game, you see what happens after the game, the followthrough, and those types of things.
Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
Let's think about how we can bring economic development, let's see if people could learn a little more of the rule of law, rather than the rule of man, which is kind of what you see in China.
I definitely have a tendency to only see the blemishes of things, and see lots of things about my acting that I don't like.
This new crop of actors, they're larger than life people. I don't think that this generation has the same following that the last one had. You don't say "you've got to see his movie, you've got to see her movie" any more.
When I am dreaming at night, I see everything as a shot from a movie. I have cranes and extras in my dreams. I swear to you! It doesn't happen every day, but many nights my dreams are like a movie. I don't see normal movement - I see things in very complicated shots.
You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
Having a daughter makes you see things in a different way. You have to see how you're carrying yourself because there's a little girl. There's not a little boy, there's a little girl. I think I'm a little more overprotective.
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