A Quote by LL Cool J

At fourteen, I started sending out demo tapes. — © LL Cool J
At fourteen, I started sending out demo tapes.
I'd been trying to do this since I was 15, sending out the demo tapes and doing all the things that everyone told me that I should be doing. But no deal - like, never.
I started off doing street team work for No Limit and Def Jam. I was the waterboy, the scrub. I was passing out demo tapes, and nobody wanted to hear them.
The kid dead on the ground. Fourteen, Ash. Fourteen. I’m fourteen.” – Nick “Yeah…” – Acheron “Ash, I’m fourteen.” – Nick “Got it. You’re fourteen. I’m so proud you can count that high. It’s a testament to the modern American educational system. But I should probably point out that you’re not the only one. I’m told you go a school with a whole class of – get this – kids who are fourteen.” – Acheron
It was mix tapes, that's my story, I did a lot of mix tapes, that's what I started doing when I was 17. I got with a hot DJ out here and you know Texas, the rap scene is different, everyone out here is on the Screw music.
I'm so used to taping myself and sending it off and never hearing back. I started to believe that nobody actually ever sees my tapes, apart from my agent.
Opinions are like demo tapes. I don't want to hear yours
If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.
As soon as I came to L.A., things immediately shifted for me. I was now actually here with the people who were making the decisions; I wasn't out in New York sending in tapes to L.A.
When I was in high school, I started getting into Japanese wrestling. For me to watch those matches, I had to order VHS tapes through catalogues, and these tapes were, like, $20 each.
I used to make demo tapes with cats that rocked with Russell Simmons and people like that. The history goes so far back; I've always been really focused on writing dope rhymes.
I thought eventually I'd have a family and I really didn't want to be a loser like that guy in his 40s still shopping his band's shitty demo tapes around.
I started out in the ballroom scene when I was fourteen years old.
In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
I wasn't the kind of guy who was like 'here's my demo,' or 'listen to my demo.' I just never thought it was that good.
It wasn't until I was 26 or 25 when I started sending work out to magazines.
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