A Quote by LL Cool J
I think the stuff that plays on the radio, the majority of it is for teenagers, which is okay. That's what pop radio is about. And some of it is great, and some of it is not.
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Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I feel like I don't hit the radio button ever - or not enough, even on the good stuff. I do shout some stuff when I'm mad at myself, but I'm pretty good about not hitting the radio button.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
If I weren't playing baseball, I would be a radio or sports broadcaster. In college at South Carolina I did some stuff with the radio station and really liked it.
A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.
College radio is a very important medium that needs to survive in difficult economic times when some stations are being sold off and shut down. College radio is the future for broadcasting stars and pioneers of tomorrow, and we as a band, Coldplay, support the vital mission of college radio and we also support College Radio Day, the day when college radio comes together.
There's definitely been some songs in the past that we've put out, and it was purely us going, 'Okay, we think radio will play this. We think this will be a hit. This will be big for the show,' and all this stuff. But it's like, do you really believe in it?
My mother had a radio show - a Barbara Walters type of gal and was very successful for about 20-some years on a radio station.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
I was listening to radio and it plays only Bollywood. This is something I hate about radio stations. There's so much other beautiful music out there.
I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
In Denver, all we really had was pop radio, so I grew up on all that late '70s pop stuff - Billy Joel, James Taylor, Lionel Richie, Elton John, Steve Miller and Toto. Great love songs and really hooky and melodic music - I have all of that stuff in my heart.
But you can make good radio, interesting radio, great radio even, without an urgent question, a burning issue at stake.
Radio dramas have disappeared. What we do have now is books on tape, which I find wonderful. I've done some of those. Otherwise, radio acting is now gone.
It seems to be really trendy to get excited about a random-ass radio song. Which, I like radio songs, don't get me wrong. But I'm just confused at which ones seem to be heralded as some sort of genius-like concoction. It doesn't totally make sense to me.
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