A Quote by Lloyd
All I knew was I just wanted to make music, I wasn't thinking about label politics or what that means. It was really much simpler back then but yea I was discouraged a little bit. I felt really confident in my skills when I was that young, I was really cocky when I was younger.
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I would say I was a little bit outgoing, a little bit shy. I was definitely much more shy than my brother. I was young - age six. I was really drawn to music because my brother started playing instruments and I wanted to be at his level, even though I was younger.
I feel like it's me singing back to myself as a younger person and saying have confidence in being a bit different. I really felt I didn't fit in. My dad was from the Caribbean, my mum was English, we lived in quite a white area but we were quite poor, but also quite brainy, and I was a really, really skinny child so I felt a bit awkward about all these things.
I think all of us, at some point early on in our lives, knew that we wanted to create music. We are still really young and sometimes we do feel like we have to prove were as great as all the rest of the bands -old and young. But we just do what we love and people seem to be really excited about it.
'Sparkle' fell into my lap. I had heard a little bit about it, that it was being redone in early 2011. I was just kind of like, 'Oh, that would be really cool,' and not really thinking too much about it, and then it came through my agency. I read it, I fell in love with the script and I went in to audition.
I really was thinking a lot about the energy on the first couple records that we ever put out and how young and excited we were. I just really wanted to make it more fun than anything.
I have been acting for almost 20 years now. At first it changed in my focus and how much I wanted to act. When I was younger, it was so much fun, and I really wanted it, but it was not competitive. Then I became a teenager and it became kind of competitive and not as much fun. I pulled back and I got lazy about it, where I was like, "Yeah, I guess, I'll do small parts in cool movies," but I wasn't really trying to say anything.
When I was done with high school, I knew that music was really important to me and I knew I didn't want to be a cellist, but I wasn't really sure if I wanted to be a composer, or think about - I was just interested in the ideas behind music, I was interested in mathematics.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I do wish, when I was younger, that I knew that I was gay. It would have made things a lot clearer for me. Really. Looking back on it, it was so obvious, but it never really dawned on me. Socially, I felt like I didn't know how to be and who to be. If I had known back then, it would have given me more self-confidence.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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