A Quote by Lloyd Alexander
The muse in charge of fantasy wears good, sensible shoes. No foam-born Aphrodite, she vaguely resembles my old piano teacher, who was keen on metronomes.
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I played the piano as a boy for six years, from the time I was six to 12 years old. My piano lessons ended when my father died because our family had no more money. I used to have a mestiza teacher. She'd come once a week to teach me piano lessons, and she'd bribe me each time with an apple; otherwise, I wouldn't play.
I never saw my grandfather because he had died before I was born, but I have good memories of my grandmother and of how she could play the piano at the old house.
The problem that we have is thinking there's only one kind of feminist, and that she's politically correct and right on at all times, wears flat shoes, doesn't wear makeup, probably doesn't have sex, is very angry, wears dungarees, is a vegetarian.
Old friends, like old shoes, are comfortable. But old shoes, unlike old friends, tend not to be supportive: it is easier to stumble and sprain an ankle while wearing a pair of old shoes than it is in new shoes, with their less yielding leather.
Basically, my mother is a piano teacher, and she actually teaches piano at Yamaha School of Music today. She's a really, really amazing human being and is very patient. She had enough patience for me, as a kid, which I'm very thankful for. She made sure that music was a part of my general education as well.
I've stuck to the same things for twenty years. I try to look like a slightly edgy geography teacher. Like what a geography teacher looked like when I was in school. Cords, sensible shoes and glasses. I never liked geography much as a subject though. In fact the only geography teacher I can remember from school was a woman who had a moustache.
My Muse sits forlorn She wishes she had not been born She sits in the cold No word she says is ever told.
It's quite hard to have your mom as a teacher - it's like, she's not necessarily a 'real teacher' for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano.
It's quite hard to have your mom as a teacher - it's like, she's not necessarily a "real teacher" for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano. That was the main thing.
When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
I just want to be powerful and in charge, or crazy and in charge. Say anything I want, and still know everybody loves you. Or, you know, like Jessica Lange. She's not old-looking, but she's older and she's working on that America Horror stuff. Wicked.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
I do have a muse. I am not sure how to describe her. She can be very elusive. She was born in England but has Mediterranean ancestry.
My mom was always keen I stayed in school and got good grades, and she was always keen for me to do medicine. I used to go to drama classes when I was younger, and she would always take me. But when I got to an age when I decided it was what I wanted to do, when she accepted it, she had actually been the most supportive person ever.
I'm literally nowhere yet... When things started going well, this French designer called Ami gave me some shoes and clothes to wear. But when I sat down to play the piano, the very new shoes kept slipping off the pedal. So I took them off, threw them away, and have never worn shoes while playing the piano from then on.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
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