A Quote by Lloyd Blankfein

I got into Goldman really by acquisition because I had gone - I grew up in east New York in the Linden Projects - I did go to fancy schools, but my resume wasn't up to a Wall Street set of resumes. I went to college. I went to law school and practiced for a while.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I had grown up and gone to high school in New York, so I wanted to get out of the east coast.
I acted all the way up until Princeton. It was just one of my favorite extracurricular activities. Then I got to Princeton and had a really conservative vibe. All my friends were planning on law school, med school, or Wall Street, and suddenly acting seem like a really risky proposition.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
The whole college process for musical theatre majors is much different than others. The school sort of chooses you! Everyone knows which schools are the top schools and what tier each one is in. So if you get into a good school, you put it on your resume, and you already have a great reputation when you get to New York.
If they don't go to law school, bright college graduates head to Wall Street precisely because they have no real plan for their careers.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
I was an economics major in college, and every summer after school, I would drive my car from California, from Claremont men's college at the time, to New York. And I worked on Wall Street.
When I grew up in Cincinnati in 1974, the Board of Education set up the performing school, similar to the New York performing arts school, and it was in walking distance from my school.
I grew up in New York, and I grew up with a mother who was an arts lover herself, and I went to these New York City public schools with these great arts education programs, so it was something that I was lucky enough to be able to be exposed to very early.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I grew up in Brooklyn, New York. I grew up in a very Jewish neighbourhood and thought the whole world was like that. My parents were secular, but I went to a very Orthodox Jewish school, and I really got into it. I found it all fascinating, and I was just kind of really attracted to the metaphysical questions.
When I got to college, acting suddenly seemed like a very risky proposition and all my friends were going to law school or med school or Wall Street.
I grew up on 135th Street. I grew up on the poor side of New York. I grew up in Harlem.
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