A Quote by Lloyd Bridges

We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year — © Lloyd Bridges
We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year
We worked under a lot of pressure... three days to do an episode, sometimes two in a week, 39 episodes a year.
My father worked three jobs, my mother worked two, seven days a week sometimes. And they wouldn't take welfare or social assistance, they were too proud.
I work seven days a week and I work about 12 hours a day, from the beginning of September to about the end of May; the school year. I take two days off, Christmas and New Year's, Thanksgiving sometimes - two and a half. And the result is that I bonded myself to my desk.
With 'Twilight,' you have these massive tomes that you have to condense. With 'Penoza,' we had an eight episode Dutch series that, just for the pilot alone, I condensed three episodes. So, there's a lot of filling in and a ton of invention that has to happen to fill out eight episodes.
I was doing 'Homeland' and read the first two episodes, and all I wanted was episode three to know what would happen next.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.
I was doing a lot of boxing through 'Lost,' thrashing a bag at least three days a week. If I had shirtless scenes, I'd do it six days a week.
It usually takes me two to three days to practice and videotape a new piece but sometimes up to a week for more difficult ones.
But I think we're going to have people who work from home a couple of days a week, three days a week, four days a week. And I'm perfectly comfortable with all that.
I worked with the same trainer that worked with Denzel Washington in THe Hurricane. It was three months of training, five days a week, 4 to 5 hours a day. This was followed by a month of choreography.
I actually will always stop and watch [Friends episodes], not for the whole thing, but usually because I've forgotten a lot of the episodes. It's sort of fun for a second, I'm like, what's this one? And sometimes it comes back to me. I always know what year it was by what length my hair was or what color.
This show [Timeless] is absolutely epic. I simply can't believe the production value for the episodes. Each episode is creating a new world. I just can't think of another television show that trumps the Hindenburg to the 1970s week to week.
The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.
there is no yesterday or tomorrow; there is only this moment. Twenty-four hours a day. Seven days a week. Three hundred sixty-five days a year.
I do 45 minutes of cardio five days a week, because I like to eat. I also try for 45 minutes of muscular structure work, which is toning, realigning and lengthening. If I'm prepping for something or I've been eating a lot of pie, I do two hours a day, six days a week for two weeks.
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