A Quote by Logan Browning

I don't want to look up and think, 'Wow, I had a moment to really be a part of changing the world, and I didn't live up to it.' — © Logan Browning
I don't want to look up and think, 'Wow, I had a moment to really be a part of changing the world, and I didn't live up to it.'
Let’s think of reverence as awe, as presence in and openness to the world…Try walking around with a child who’s going, ‘Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!’ And the child points, and you look, and you see, and you start going, ‘Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!’ I think this is how we are supposed to be in the world – present and in awe.
I do tend to look back to my parents generation and think wow! what a great way to be, to live with one person for a lifetime, to bring your kids up in these really solid families.
I think representation is the most important thing in the world. People who are young look up to the things that they see in the media. They want to relate and to be able to say, 'Wow, I can be successful.'
When our thoughts look real, we live in a world of suffering. When they look subjective, we live in a world of choice. When they look arbitrary, we live in a world of possibility. And when we see them as illusory, we wake up inside a world of dreams.
I don't think that Donald Trump's gonna look at his approval numbers and say, "Wow, the American people don't want what I want to do. I better change." I don't think he's gonna change his agenda. To have put up with all of this to date already says a mouthful. It already explains a lot to have put up with this, to have not lost his cool. And, by the way, on all of these tweets and all these allegations, all these predications, he ends up being right.
I learned from working in the fashion world that if I have a day when I feel slapped in the face, or if someone has been mean, I just have to get back up and it will be another day. I think about what I'm grateful for. I look at my kids and my husband and think, 'Wow, I'm a really lucky person.'
I learned from working in the fashion world that if I have a day when I feel slapped in the face, or if someone has been mean, I just have to get back up and it will be another day. I think about what I'm grateful for. I look at my kids and my husband and think, Wow, I'm a really lucky person.
Every moment I choose to write about is one I have deemed important enough to dwell inside of and share with others. I am holding this moment up to the light and saying, "Wow, will you look at that?"
I'm so... Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.' Because I started out, really, with a word on the show. So it's kind of fun to look back and be like, 'Wow, I was basically an extra,' but not really - I had a little part.
We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.
When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"
When you're a teenager, everything seems like the end of the world, and I don't think that's necessarily a silly thing. You're waking up and becoming aware that the world has problems and those problems affect you, whereas when you're young they don't seem to affect you that much even if you're aware of them. This dystopian trend picks up on that little part of your life where everything feels really extreme and it honors that part of your life and says, "Yeah. It is the end of the world. Look at it."
Our team, in general, is in a position where people look up to us, and kids look up to us. I embrace that, and I think I have a huge LGBT following. I think it's pretty cool, the opportunity that I have, especially in sports. There's really not that many out athletes. It's important to be out and to live my life that way.
I think you look around the world in general, and who are the most popular people in the world? You can say that politicians and musicians are up there, but I guarantee you that athletes are ranked right up at the top if not more than a lot of those people. When you're well known, people look at you - especially kids. They want to be you.
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