A Quote by Logan Lerman
It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.
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We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
Acting is a state of being, and the camera can tell instantly if you're lying. But there are many different ways to approach that state of being. Each director has his own approach to the situation, and that's really interesting.
I just think that I was very fortunate to have had the opportunity to work with some very fine filmmakers in the industry. I worked with some wonderful people on some really interesting projects. So I consider myself very fortunate.
I suppose every filmmaker, at least the filmmakers I really like, are amateur psychologists to a degree. Or they come from a psychological approach, I guess.
It's just like they approach things on every movie I've worked on, very much as if it was a live-action movie. The character you're playing, even though he's a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. "You're on the boat. You didn't expect to be here. You just climbed in a boat to maybe sleep. You don't even know why you climbed in the boat. You're really that dumb.
Fly flight is just a great phenomenon to study. It has everything - from the most sophisticated sensory biology; really, really interesting physics; really interesting muscle physiology; really interesting neural computations.
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
It's that we're experiencing emotion through photo-real apes, and that's really holding a mirror up to who we are. It's interesting, because as we're showing the movie now, we're getting a lot of response about things [people] think are very topical. And the intention is never to approach it from the outside-in, which is to say, "Ah, this is going on, let's draw that in."
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I really strongly feel that when you approach a drama, you have to approach it with energy, honesty, sincerity, and absolute commitment, or don't do it.
Sidney Lumet is one of my favorite filmmakers. I feel like his approach to filmmaking was always so human. He was always making movies about the people. He wasn't about the tricks, you know what I mean? From 12 Angry Men on. Another film of his which I really, really love is Prince of the City, with Treat Williams, which is kind of a lost classic. Lumet is one of those film heroes that changed movies for everyone.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
I really enjoyed my degree, for me it was the best course you can do. To be able to study the brain and nervous system and the mind with a scientific approach is just incredible! Its philosophical, psychological and biological, three very interesting areas to me.
Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking.
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