A Quote by Logan Lerman

When filming, I like to travel with an instrument. — © Logan Lerman
When filming, I like to travel with an instrument.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
Whenever I am not filming and not required to travel with work, I spend all my downtime in Scotland.
I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
Revolution is an instrument, like a party is an instrument.
I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
It might sound odd, but filming a soap is closer to acting in a play than filming episodic television.
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
While I'm filming, I'm often immersed in the emotions and situations of the character. But when the filming is over, I'm quick to return to my daily life.
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