A Quote by Logan Lerman
I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.
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I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
A lot of people don't feel like doing very much. Or one project is really all they can do at one time. I can have five or six things going at the same time. It doesn't bother me or tire me, but sometimes it does rattle me.
People want you to play the songs they know. I try not to reflect too much, and I don't really like to focus too much on myself.
I have a lot of alter-egos: I would love to be a back-up singer for someone someday. I have an electronic side-project. I have a '90s grunge side project; I have a piano project... I have this industrial, goth-electronic song, super creepy sounding, just really dark and dreary.
The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I try every time for a project to have a natural ending. As much as I can, I try to follow the story and to give it its own end.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
I wish I could be hard and cynical. That I could take things slowly, not give too much of myself, because I'd be so frightened of getting hurt that there wouldn't be any other way. But no. every time I meet someone I dive in headfirst, showering them with love and attention, and hoping that this time they're going to be different.
I've had to learn and discipline myself that I'm much happier and much less depressed if I give myself a project. It's just that simple.
Imagine, to be studying and then suddenly come out of school and come into a project and quickly realize that it is a project that works really well and that the people really like. It is like, "What a nice gift life has given me, no?"
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
The fact of the matter is: when you're doing a project, you try to make it better every moment. And a lot of people get frustrated. But I surrounded myself with a good team of people and I'm really proud of the work we've all done. All I can say is - I've learned this in my business - don't let the process frustrate you; focus on the end. Because the end is pretty wonderful. Just fight it out.
I have not done too much television because I do not like doing one project over a very long period of time.
I don't isolate too much or make the project my god. This helps a lot with negative ideation.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
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