A Quote by Logan Marshall-Green
I just think the more were observed by other people, the less we can observe them in order to play them and find their true condition.
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I just think the more we're observed by other people, the less we can observe them in order to play them and find their true condition.
In my youth, I traveled much, and I observed in different countries, that the more public provisions were made for the poor, the less they provided for themselves, and of course became poorer. And, on the contrary, the less was done for them, the more they did for themselves, and became richer.
Because of that she had never had enough energy to be herself, a person who, like everyone else in the world, needed other people in order to be happy. But other people were so difficult. They reacted in unpredictable ways, they surrounded themselves with defensive walls, they behaved just as she did, pretending they didn't care about anything. When someone more open to life appeared, they either rejected them outright or made them suffer, consigning them to being inferior, ingenuous.
I don't ever remember them telling us or teaching us that the only way we could be more successful is if other people were less successful. They never inculcated the belief that somehow, in order for us to climb the ladder, other people have to come down from the ladder.
As people buy less and less records, it's become more and more important for me to spend more and more on them - to lavish that much more attention on them. The Bad Seeds were always quite protective and old school, but Grinderman has opened us up to do anything and be shameless. We're not so precious about it.
The doctrines contained in the Bible will lift to a superior condition all who observe them; they will impart to them knowledge, wisdom, charity, fill them with compassion and cause them to feel after the wants of those who are in distress.
People knew less of each other, perhaps, but they felt more free of each other, and so were more individual. The entire world was not for them only a push or a switch away. Strangers were strange, and sometimes with an exciting, beautiful strangeness. It may be better for humanity that we should communicate more and more.
I'd like - inviting aliens and have them observe what we do because so much of what we do that we take for granted will just be weird or extraordinary or just plain dumb when observed by an alien from another civilization.
There was a point in my teenage years, when we were starting to play bigger shows and females were running after tour buses and all that, and my mom - and I remember this like it was yesterday - said: 'Look, I want you to know that I couldn't be prouder of you. You are extraordinary. You move people. But it doesn't make you better than them. You still put your pants on the same way as them, one leg at a time every morning.' I thought about learning to jump right into them, just to mess with her. But what she said stuck with me, and I think it's true.
I am very interest in the human condition. That is what I love about acting. I like studying different people and their psychosis. I like discovering what makes them tick. I always find that with any character I play. I need to find out what makes them tick.
White supremacist ideology is based first and foremost on the degradation of black bodies in order to control them. One of the best ways to instill fear in people is to terrorize them. Yet this fear is best sustained by convincing them that their bodies are ugly, their intellect is inherently underdeveloped, their culture is less civilized, and their future warrants less concern than that of other peoples.
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I don’t think it’s quite that simple. Some people never observe anything, Life just happens to them. They get by on little more than a kind of dumb persistence, and they resist with anger and resentment anything that might lift them out of that false serenity.
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
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