A Quote by Logan Pearsall Smith
But why wasn't I born, alas, in an age of Adjectives; why can one no longer write of silver-shedding Tears and moon-tailed Peacocks, of eloquent Death, of the Negro and star-enameled Night?
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Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
In the night the cabbages catch at the moon, the leaves drip silver, the rows of cabbages are a series of little silver waterfalls in the moon.
The harvest moon has no innocence, like the slim quarter moon of a spring twilight, nor has it the silver penny brilliance of the moon that looks down upon the resorts of summer time. Wise, ripe, and portly, like an old Bacchus, it waxes night after night.
But why, some say, the moon? Why choose this as our goal? And they may well ask; why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?
Now what is history? It is the centuries of systematic explorations of the riddle of death, with a view to overcoming death. That's why people discover mathematical infinity and electromagnetic waves, that's why they write symphonies.
Alas! There cometh the time when man will no longer give birth to any star. Alas! There cometh the time of the most despicable man, who can no longer despise himself.
What is history? Its beginning is that of the centuries of systematic work devoted to the solution of the enigma of death, so that death itself may eventually be overcome. That is why people write symphonies, and why they discover mathematical infinity and electromagnetic waves.
In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.' I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.
I watched the night sky with it's countless stars and its moon, and I wondered about the universe and all that had been created, why the stars and the moon rose at night and the sun in the day, how vast it must be, how I could never understand the infinite measure of its size.
Why is the world round?
Why do the suckas bite?
Why do the freaks come out at night?
Why they paint Jesus white?
I sit and wonder why we breakin hip-hop laws,
Doing videos in houses that we know ain't yours.
Look around at the azaleas making fuchsia star bursts in spring; look at a full moon hanging silver in a black sky on a cold night. And realize that life is glorious, and that you have no business taking it for granted.
Why, Yrael?” it said, as the last of the dark gave way to silver, and the shining sphere of metal sank slowly to the ground. “Why?” “Life,” said Yrael, who was more Mogget than it ever knew. “Fish and fowl, warm sun and shady trees, the field mice in the wheat, under the cool light of the moon.
The craving to risk death is our last great perversion. We come from night, we go into night. Why live in night?
The central question driving literary aesthetics in the age of the iPad is no longer 'How should novels be?' but 'Why write novels at all?'
you once said to would like to sit beside me while I write. Listen in that case I could not write at all. For writing means revealing one self to excess; that utmost of self-revelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind...That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.
Spirit of BEAUTY, that dost consecrate With thine own hues all thou dost shine upon Of human thought or form, where art thou gone? Why dost thou pass away and leave our state, This dim vast vale of tears, vacant and desolate? Ask why the sunlight not for ever Weaves rainbows o'er yon mountain-river, Why aught should fail and fade that once is shown, Why fear and dream and death and birth Cast on the daylight of this earth Such gloom, why man has such a scope For love and hate, despondency and hope?
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