A Quote by Logan Pearsall Smith

What I like in a good author is not what he says but what he whispers. — © Logan Pearsall Smith
What I like in a good author is not what he says but what he whispers.
I shall never be ashamed to quote a bad author if what he says is good.
Failures can be God's little whispers (or) a full earthquake in our lives because we didn't listen to the whispers
So nigh is grandeur to our dust, So near is God to man, When Duty whispers low, 'Thou must,' The youth whispers, 'I can.
Spero Speroni explains admirably how an author who writes very clearly for himself is often obscure to his readers. "It is," he says, "because the author proceeds from the thought to the expression, and the reader from the expression to the thought.
I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.
"The best is oftentimes the enemy of the good;" and without claiming for an instant that title of good for my book, I do not doubt that many a good book has remained unwritten, or, perhaps, being written, has remained unpublished, because there floated before the mind's eye of the author, or possible author, the ideal of a better or a best, which has put him out of all conceit with his good.
Whenever anybody says what you do isn't good, it's always unflattering and makes me feel uncomfortable. But when the person who's in charge of the United States of America says, 'Not good,' I'm like, 'Oh.' It's a little unflattering.
This is the forked tongue of grief again. It whispers in one ear: return to what you once loved best, and in the other ear it whispers, move on.
I didn't really had a good answer, as so often -- is me. But then somebody sent me the other day, Isaiah 49:16, and you need to go home and look it up. Before you look it up, I'll tell you what it says though. It says, hey, if it was good enough for God, scribbling on the palm of his hand, it's good enough for me, for us. He says, in that passage, 'I wrote your name on the palm of my hand to remember you,' and I'm like, 'Okay, I'm in good company.'
For the participants of whisper networks - often women - these networks hum below the surface. Whispers are take it or leave it. Whispers are a defense, not an offense.
I think [James] Joyce sometimes enjoyed misleading his readers. He said to me that history was like that parlor game where someone whispers something to the person next to him, who repeats it not very distinctly to the next person, and so on until, by the time the last person hears it, it comes out completely transformed. Of course, as he explained to me, the meaning in Finnegans Wake is obscure because it is a 'nightpiece.' I think, too, that, like the author's sight, the work is often blurred.
I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.
You don't expect me to know what to say about a play when I don't know who the author is, do you? . . . If it's by a good author, it's a good play, naturally. That stands to reason.
Who says, who says you're not perfect? Who says you're not worth it? Who says you're the only one that's hurting? Trust me, that's the price of beauty, who says you're not pretty? Who says you're not beautiful?... Who says?
The Ninja, as you know, operates by stealth. And so, case in point: I put out records... no one hears them! I make videos... (whispers) no one sees! I go on tour.... (whispers) no one knows! NINJA! I was never here!
I lean over and put my good ear to his lips, which tickle me as he whispers. "Remember, we're madly in love, so it's all right to kiss me any time you like it.
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