A Quote by Logic

From tours to mixing, mastering, graphics, artwork - I've done out of pocket. — © Logic
From tours to mixing, mastering, graphics, artwork - I've done out of pocket.
The biggest challenge is self-financing 100% of everything. Recording costs, studio time, engineer fees, travel costs are all a part of the creation process. Then after the creation, there are producer fees, mixing, mastering, photo shoots, artwork, packaging, artist feature fees, legal fees, clearances, and so on that must be covered before any music can officially be released to the public.
The actual producing, mixing, and mastering is hard work, harder than what I do.
You can't go wrong mixing classic graphics in black and white. It's very Parisienne.
We're also looking a lot at graphics and video. We've done a lot on a deep technical level to make sure that the next version of Firefox will have all sorts of new graphics capabilities. And the move from audio to video is just exploding. So those areas in particular, mobile and graphics and video, are really important to making the Web today and tomorrow as open as it can be.
When I was coming up, I was, and am, producing, mixing, mastering, and writing everything. I would say that all the time. For one, self-sufficiency is a message that should be put out there: you don't have to outsource everything. Two, I'm proud of it.
I wanted to do a project that was seamless and had all the ingredients from start to finish, from conception to mixing and mastering.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
We are normally involved in Ozzfest and heavier tours. We love all the tours we've done, but I always thought it'd be cool to do Warped, since a lot of these kids are young girls.
I've done a lot of different tours. For me, I try to go on tours that I think are gonna be fun. It's, like, grueling, and it's hard, and there's got to be an element to it that's exciting.
I think anyone who knows the audio process knows what mixing and mastering is.
My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.
Movies remind me of recording. Just the process of it - the intricacies, the technicalities, the days and the long hours, and mastering and mixing and editing. But seeing the final product, it all pays off in the end. That's the rush - when you see things come to life.
I had done the No Doubt record Push and Shove, and that was a real challenge for me: I think after the giving birth twice, going on multiple tours, all the stuff that I had done, I really got quite burned out after that.
I'm a serious student of music, a perfectionist in the studio, and I take the arrangement and production of it very seriously, down to the mixing and mastering even. But at the same time I'm having so much fun with it. I try not to take myself so seriously.
Mastering others is strength. Mastering oneself makes you fearless.
Mastering others is strength. Mastering yourself is true power.
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