A Quote by Logic

When I was, like, 18, that's when I started to really take my own craft seriously and just noticed people were enjoying it. And when I put out my first mixtape, that's when I realized I could make this a career.
Before I had my daughter I actually wanted to do something that I could put out for free, like a mixtape, but it wasn't going to really be a mixtape, it was just going to be songs that I wrote and release for free.
I was 17 when I first started rapping and 18 before I started taking it seriously - when I really knew I could rap and have fans and be a trendsetter.
I started preparing meals for my family when I was 12 because both of my parents worked, but I didn't know that it was something I could make a career out of until I had my daughter and realized there were people out there who were interested in learning how to prepare a quick meal.
When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'
When I first started out, there were times I would dress or act in a way because I thought it was expected of me or that people would take me more seriously. But once I started leading in a way that was authentically me, that is when I really started to see success.
I didn't make music until I was about 18. I'd been playing my whole life, but I wasn't putting it out because I didn't feel like people would take it seriously. I thought people would be like, 'It's just like sad girl music - it's like Taylor Swift.'
When I turned 18, was the first time that I really started concentrating on politics. And I started doing so because I realized that in order to really create and generate change, it has to come from changing laws... so I started campaigning for Norman Lear's foundation, which was Declare Yourself.
I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
How I started my musical career, officially, was really, like, my family and I deciding to put out, you know, the 'Closer' album that started really small, you know, with a vision that we'd make it pass there.
After I had my daughter, I kind of got comfortable with motherhood and had time to focus on something else then I started "Sailing Souls" with Fisticuffs, who produced the majority of the mixtape. I just wanted to put out something, like it wasnt really for, you know exposure or to get a deal or really anything like that.
We owned the mixtape game, and every mixtape we put out was like an album.
I realized that people had an unreal image of me, that somehow I was a god on Mount Olympus. I decided that if I were going to make use of my role as a Supreme Court Justice, it would be to inspire people to realize that, first, I was just like them and second, if I could do it, so could they.
The whole point was just to be yourself, no matter what that was. You didn't have to fit into a certain punk-rock cliché. Create whatever your compelled to create. People were putting out their own records, and it just seemed natural to put out my own magazine. When I was really young, I started making magazines and little books, just folded-over pieces of typing paper, so when I discovered punk rock, it really blew my mind. I played in bands and stuff, but making my own zines seemed like an inherent part of that scene.
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
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