A Quote by Logic

You literally cannot deny the fact that rock and roll was born because of blues, and blues is black man's music. — © Logic
You literally cannot deny the fact that rock and roll was born because of blues, and blues is black man's music.
Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
Blues is a big part of rock and roll. The best rock and roll got its birth in the blues. You hear it in Little Richard and Chuck Berry.
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues.
Rock and roll is not an instrument. Rock and roll isn't even a style of music. Rock and roll is a spirit that's been going since the blues, jazz, bebop, soul, R&B, heavy metal, punk rock and, yes, hip-hop.
You play a 'lowdown dirty shame slow and lonesome, my mama dead, my papa across the sea I ain't dead but I'm just supposed to be' blues. You can take that same blues, make it uptempo, a shuffle blues, that's what rock n' roll did with it. So blues ain't going nowhere. Ain't goin' nowhere.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.
For guitar players especially, blues is the foundation of rock and roll. You take country music and rock and roll and jazz and you mix it together, and that's my basic makeup.
I use rock and jazz and blues rhythms because I love that music. I hope my poetry has a relationship with good-time rock'n roll.
This site uses cookies to ensure you get the best experience. More info...
Got it!