A Quote by Logic

Not to sound cliche, but some of the first things that I bought were for my homies and my team: making sure the people that helped me and ensured my security and safety during my come-up, while I was broke, had the opportunity to be okay.
My first couple of years in the league left me very unstable. I had some times where I played well, and I had some times were I really did not get the opportunity. After Rick Pitino gave up on me my first year, people were like, 'He can't play.' So I had to get over that hump.
The difficulty is the levels of secrecy we had to maintain around the project at all different times. We had to keep it a secret while making it so we could move under the radar so we could get the stories. Before it came out we had to keep it on lock down to protect the safety and security of some people who appear in the film.
When I went up from the youth team to the first team at Internacional, it was a risk - they were almost betting on me making it.
People would come up to me, saying, 'You sound a lot like the lead singer from Queen.' I started wondering, 'Who is this guy making me sound so unoriginal?'
Leadership means making sure that people are adequately skilled, making sure people are earning a living wage, making sure people have access to resources. That's not sexy, it doesn't sound great at a rally or a forum, but that is actually the work that it will take to change cities. We know that.
The isolation of Eastern Europe actually helped me to be so original. I couldn't travel so much, I had to find my own things, such as making the strings sound like electronic music.
And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.
Blake & Murphy were winners, I was a winner, and winners usually gravitate toward each other. They helped me, so I helped them in any way I could. I knew they were able to retain their NXT Tag Team Championship on their own, but when the matches weren't going the way they wanted, I made sure to step in. We were an unstoppable group.
Of course, my family helped me, my brothers helped me, but after I set up my own office I had to really help myself. Some people seem to think I had an oil well in my garden! It's a nice idea but not true.
Yeah, in every film that I've been lucky enough to do with Tim, there's always some form of torture, and the nails were Tim's idea. They were the length of the fingers and stuff, but it was okay because I had a troop of people who would help me go to the bathroom. They had to have treatment afterwards but they're okay now. That is true.
My father built me a theatre behind the house where I could put on plays. Dear me, I'm making it sound a bit grand, and it wasn't an amphitheatre or anything like that, just a little place with a roll-up curtain box and I'm sure the plays were childish lopsided things.
Leadership has to be focused on some very radical ideas that only we as 21st Century people can talk about: making sure people have a livelihood, making sure people receive a living wage, making sure the environment, the Mother Earth, is embraced and cherished and not destroyed. Making sure people are healthy in what they eat, making sure we hold people and corporations accountable for the damage they do not only to our environment but to our institutions.
For sure, there were days while building my business from the ground up that challenged me more than others, and maybe I just wanted to stay home and not face anyone, but I've always thought about the people on my team and their families, and the choice was easy: man up.
The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums. We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real. We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
Well, of course it was a very trying time for me, and fortunately I had a lot of people who were supportive. A lot of people who were writing and calling and saying they were praying for me. Some people sent me Scripture, and that helped.
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