A Quote by Lois Lowry
It's interesting that so many books now are published as the first in a series. It never occurred to me. Although 'The Giver' does have an ambiguous ending. I've heard about that from readers over the years.
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'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
I have published so many books in so many years. I can't complain about any lack of attention. But I've never been placed as a Southern writer, which I really am. So I was happy finally to be published by someone in the South.
I had been reading about [John] Calvin for years and had been studying the English Renaissance for many more years, and it had never occurred to me to think of them together. I learned that Calvin was the most widely read writer in England in Shakespeare's lifetime. He was translated and published in many editions.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.
I published so many books, which, for years, didn't get published here in America, at all - and which barely got any attention in England. So it wasn't going to take much to make me feel suddenly famous. So - yeah - after 20 years, I'm an overnight success.
My first typewriter cost me $75. I can't tell you how many hours it took me to earn that money, or how proud I was of that object. I wrote my first books on it. They will never be published, but that's all right.
I think I work much harder on the children's books. I suppose I enjoy that. I find it interesting that although there are more than 30 books in the Discworld series, it is the four that were written for children which have won the awards. I've never been quite certain why this is.
The memoir industry is, what's the word? Under regulated. I think it needs to be pruned. If there are too many books right now and the market for readers is shrinking, I think we can get rid of many of the memoirs. Another memoir should be awfully well justified before it gets published.
Now the interesting thing about the movie is that many of the questions it raised about the Warren Commission and its investigation were all investigated by our committee 13 years ago. We published our findings in 27 volumes of information and evidentiary material.
When I first learned about Abrams and saw the types of books they were making, I knew I wanted my books to be published by them. Abrams books are special-when you hold one in your hands, you have the feeling that this book needed to be made. I once heard an artist say that books are fetish objects-I think Abrams gets that, because their books demand to be treasured. So who better to give comics art its proper due? I feel privileged to have found a home with Abrams.
[I]t's not just the books under fire now that worry me. It is the books that will never be written. The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
One of the many things I love about bound books is their sheer physicality. Electronic books live out of sight and out of mind. But printed books have body, presence. Sure, sometimes they'll elude you by hiding in improbable places... But at other times they'll confront you, and you'll literally stumble over some tomes you hadn't thought about in weeks or years. I often seek electronic books, but they never come after me. They may make me feel, but I can't feel them. They are all soul with no flesh, no texture, and no weight. They can get in your head but can't whack you upside it.
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