A Quote by Lois McMaster Bujold
One of the best things about writing is how it redeems, not to mention recycles, all of one's prior experiences, including or perhaps especially the failures.
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How do entrepreneurs survive their early failures? They don't view their failures as failures - they view these experiences as feedback, and a prelude to future success.
One thing about having mostly absent parents that I think was perhaps "good" for the development of my intellect/writing is that I was given almost total freedom to read/write/look at whatever I wanted. I wonder a lot about how my past experiences, particularly my negative childhood (home life and being severely bullied/ostracized throughout school) as formed my/my thoughts/my writing, though I should also note those things were far from the only thing that had an impact on me/my writing.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
In writing, one searches, and that is what keeps one writing, that one sees and experiences things from another angle entirely; one experiences oneself during the process of writing.
One Taste is not some experience you bring about through effort; rather, it is the actual condition of all experience before you do anything to it. This uncontrived state is prior to effort, prior to grasping, prior to avoiding. It is the real world before you do anything to it, including the effort to "see it nondually".
Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink. Drink and be filled up.
What kind of country just recycles its old money, reminisces about what used to be, and doesn't know how to weld, to machine, to cast or to bolt things together? Not one that's on a path to future greatness, that's for certain.
A lot of my writing is basically about observation, and things that I've seen, either through personal experiences or the experiences of people around me, or society at large.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
I've been privy to certain experiences which have allowed me to realize how fleeting time is, in any case, and how ultimately not important this is. 'This' being the things perhaps we trip on in life.
I know how well I can play. I don't mention myself with the other players. I mention myself with the best.
One of the things that struck me is how authentic 'Shark Tank' is. I don't know how more real it can be. You have no prior knowledge about the entrepreneurs.
The hardest thing about acting is all of the other things you have to think about besides performing... Your image, your team, networking - not to mention the mental strength you need to be able to stay unaffected by the rejection that every actor experiences.
One of the things I love about writing is the way you can use what you know and what you've experienced, without actually writing about yourself. I've given many of my experiences and perceptions to many of the characters in the book, but none of them is me.
You are constantly changing & evolving through your experiences, how you interpret your experiences, and how you choose to do things in the future based on those experiences.
When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.
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