A Quote by Lois McMaster Bujold
It's a bizarre but wonderful feeling, to arrive dead center of a target you didn't even know you were aiming for.
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The thought of bringing a cake into a dance music show is a bizarre one. The idea of rafting on top of people is just as bizarre as well. And I think whenever something bizarre comes into play, it immediately becomes an easy target. And for those reasons, I know that I have been the target of criticism.
A prudent man... must behave like those archers who, if they are skillful, when the target seems too distant, know the capabilities of their bow and aim a good deal higher than their objective, not in order to shoot so high but so that by aiming high they can reach the target.
Writing fiction is the 'job' I try to keep at the center of things. The movie stuff has been a wonderful accident, though not entirely bizarre, either, as I have done some work in film before, and even directed a ridiculous, cable-access feature back in my 20s.
And there stood Basta with his foot already on another dead body, smiling. Why not? He had hit his target, and it was the target he had been aiming for all along: Dustfinger’s heart, his stupid heart. It broke in two as he held Farid in his arms, it simply broke in two, although he had taken such good care of it all these years.
Satan never wastes a fiery dart by aiming at a spot covered by armor. The bull's eye is located dead center in our inconsistency. That's where the enemy plans to bring us down.
We were all such odd characters, even though we were a really functional family, in a way, as eccentric and crazy as we were. And it was such a wonderful feeling amongst us of being a family almost. We were 'The Addams Family!'
The opportunity to be bizarre - I am bizarre, aren't I? - is just so wonderful, isn't it?
'Things To Do In Denver When You're Dead' is one of the most underrated films. There were even different cuts of it. A wonderful film.
Most of my childhood revolved around wondering when we would be blown up by the Russians. I couldn't stand the news, I knew that if the missile were launched, mortality would arrive in half an hour, so I spent a lot of my childhood feeling that I was 30 minutes from being dead.
Comic-Con is a bizarre world. It's wonderful. It's nice, feeling the love. Everywhere you walk, you feel the love.
We’re going to die and not even know. We’ll never know, and all this meaninglessness will just go on and on and on. And we won’t any longer be witnesses to it. We won’t have even that little bit of power to give meaning to it in our minds. We’ll just be gone, dead, dead, dead, without ever knowing!
People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
With 'Rampart,' I read it and I'm like, 'That's the best role I've ever been offered. Phenomenal.' But, I was daunted, you know? Like the concept of trying to be a cop. It's just bizarre, man. Bizarre to even think about.
New York is a spectacular place, and those who are jealous of the way we live our lives are always going to, you know, to strike out, and, you know, we're always going to be a target, sadly. London is going to be a target. You know, anywhere in the West, you're a target.
I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
People love to see public figures get taken down a notch, and by the same token, everyone loves to be the center of attention, even when there's a target on their forehead.
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