A Quote by Lois McMaster Bujold

How could you be a Great Man if history brought you no Great Events, or brought you to them at the wrong time, too young, too old? — © Lois McMaster Bujold
How could you be a Great Man if history brought you no Great Events, or brought you to them at the wrong time, too young, too old?
I'm so excited. Jay Leno is on the show tonight. He brought some really funny jokes and some great stories. Although I'm a little concerned he also brought his old desk and Kevin Eubanks. I just want Jay to be comfortable, but not too comfortable.
I had a great year with Bob Mintzer [at Laguardia School of Arts]. Bob is great. We could have just brought the clarinet or dealt with classical stuff, or brought the flute or just dealt with comp and arranging... what a great teacher.
Everyone, Republican or otherwise has their own particular part to play. No part is too great or too small, no one is too old or too young to do something.
When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
My father was a great example of a strong and good man and Christian man, and my mother taught all my six sisters how to be young ladies and mothers and how to take care of your family. And so I think they were - they still are - great examples for all of us to their kids and to the world, too.
There is a difficulty with only one person changing. People call that person a great saint or a great mystic or a great leader, and they say, 'Well, he's different from me - I could never do it.' What's wrong with most people is that they have this block - they feel they could never make a difference, and therefore, they never face the possibility, because it is too disturbing, too frightening.
In short, I conceive that great part of the miseries of mankind are brought upon them by the false estimates they have made of the value of things, and by their giving too much for their whistles.
Our senses perceive no extreme. Too much sound deafens us; too much light dazzles us; too great distance or proximity hinders ourview. Too great length and too great brevity of discourse tends to obscurity; too much truth is paralyzing.... In short, extremes are for us as though they were not, and we are not within their notice. They escape us, or we them.
How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that...we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
Americans are not brought up with meter. They're not brought up with poetry. If you try to get them to recite, they're too embarrassed.
You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.
Bushmaster was such a great adversary, and Mustafa Shakir, just the way that he embodies him in terms of the power of the voice, the stillness, and then, at the same time, when they do get after it, when he does fight, just how kinetic he was. He just brought a great dynamic and being able to explore his history in making the character Jamaican.
It would be a great thing if people could be brought to realize that they can never add to the sum of their happiness by doing wrong.
Too great a sense of identity makes a man feel he can do no wrong. And too little does the same.
When Kellogg's brought up the idea of the tiger, they sent me a caricature of Tony to see if I could create something for them. After messing around for some time I came up with the 'Great!' roar, and that's how it's been since then.
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