A Quote by Lois McMaster Bujold
Utterly bleak and black is not the sum of realism. All the other colors are real, too.
Related Quotes
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results" colors.
I find 'EastEnders' so utterly bleak.
For real human beings, the only realism is an embodied realism.
Black, white and nude are my essential colors. Each time I start a collection, I start with these colors; they are the elemental colors we refer to from the beginning.
I'm really just a throw-my-hair-into-a-ponytail kind of girl. I don't like styles that are too neat or too done. I don't think I'll ever go too crazy with colors. I stick with my main two: goldish-blonde or black.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
Reality has become so intolerable, she said, so bleak, that all I can paint now are the colors of my dreams.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
Sometimes bleak is good. Sometimes bleak is necessary. Some part of life is always bleak.
When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity. That's when I see them formulate: THE COLORS RED: [rectangle] WHITE: [circle] BLACK: [swastika] They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.
Unfortunately, philosophers of science usually regard scientific realism and scientific anti-realism as monistic doctrines. The assumption is that there is one goal of all scientific inference - finding propositions that are true, or finding propositions that are predictively accurate. In fact, there are multiple goals. Sometimes realism is the right interpretation of a scientific problem, while at other times instrumentalism is.
Women think of all colors except the absence of color. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.
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