A Quote by Lois McMaster Bujold

Escapist literature gets a bad rap. But I think escape is important for a lot of people in a lot of places. — © Lois McMaster Bujold
Escapist literature gets a bad rap. But I think escape is important for a lot of people in a lot of places.
I think that pretty much every form of fiction (I’d include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you’ve escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in. So no, they’re not escapist. They’re escape.
I'm fascinated by rap and by hip-hop. I think there's a lot of poetry in it. There's a lot of anger, a lot of social energy in it. And I think you'd better listen to it pretty carefully, 'cause it's important.
L.A. gets a bad rap, but that's not the case. Everybody's like a real family out here. I think a lot of that comes from UCB Theatre, Amy Poehler, Matt Walsh, Matt Besser, and Ian Roberts. They're really funny, but they're also upstanding people.
Escape into the dream. Escape, a key thing charged against these drugs, that they are for escapists. I think the people who make this charge hardly dare dream to what degree they are escapist.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
Fake realism is the escapist literature of our time. And probably the ultimate escapist reading is that masterpiece of total unreality, the daily stock market report.
I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.
In some ways I think it [the strike] was important. I'm not sure that "worth it" is the right term, but it was important. A lot of people lost a lot of things - I was greatly concerned for our crews. Those are the people who really sort of paid. A lot of us in quiet ways did everything that we could to help people pay mortgages.
I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
I think a lot of pop music is escapist.
I think that it's important for people to understand that there's a lot of mystery left in the world, there's a lot of wonder left in the world and there are places that we don't fully understand.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
I think Neil Magny gets picked on a lot because people don't think he is that good. I like the guy a lot.
Consciousness rap - a term that I don't think exactly exists but gets thrown around a lot - is not exactly popular.
I think L.A. gets a bad rap. L.A. is the same as everywhere else.
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