A Quote by Lola Kirke
I realized that I really didn't like the sound of the ukulele so much so I started playing the guitar.
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I started playing piano; I picked up a ukulele, and I loved it and kept playing that. I play a bit of guitar, and some African drums from back in the day.
I was really young, but I can't say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.
Growing up, the ukulele was always a respected instrument. It's a big part of our culture. It wasn't until I started traveling outside of Hawaii that I realized people didn't really consider the ukulele to be a real instrument.
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
I started playing ukulele first for 2 years from age 9 to 11 and got my first guitar and got inspired by blues I heard on the radio that turned me on and I started learning myself.
During college I realized I had a music predisposition and really got involved in it. I started playing bass guitar. That was how I began to fit in.
My kids don't really like when I sing for some reason...but they like when I play guitar. So I started writing songs just playing guitar for them.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
I wasn't popular in school, I was Mexican, I was all these inappropriate things. I started playing the ukulele and taking it to school, and I realized people liked listening to it. I would play it to comfort myself at home, and I'd play rhythm and blues songs that had four chords. That's how it started.
The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.
There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.
I saw a band called The Electric Guitars, from Bristol. I described them to Roland, and he just started playing a riff on guitar and said, 'Do they sound like this?' And they did.
I took piano lessons when I was really young, like five years old, and I didn't really enjoy that very much. It was kind of too strict. So when I was probably 11 or 12, I started playing guitar and just kind of taught myself.
My aunt Maxie had a plastic guitar in her closet, and I started playing that, going nuts on it. I went to stay with my dad, and he saw how much I was into it, and I put my first guitar on layaway. It was a Kay Starter Series guitar and Gorilla amplifier.
I started playing guitar when I was eight. Well, I started piano and really liked it but never practiced, but it taught me how to read music, and then my mom signed me up for guitar lessons, and I connected to that way more.
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