A Quote by Lola Kirke

If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, 'Oh, that must have happened to him,' that's when you know you're transmitting. It's like being a good actor. You make people feel things, emotions and what not.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.
The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
I think "artistic" simply means there's more of the creator in the thing. Whether it's painting or song or movie or game, the creator puts more of themselves into the piece, so when the audience see it, they feel something real, they feel something human, they feel something that's like a person.
You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
Music can help you through any kind of emotion. It can help you through a break-up, make you dance, or help you realize or understand something about yourself... and if I can sing a song and make someone feel those things then I will feel like I have made a difference.
If you get caught at some crucial point and somebody tells you that your doctrine doesn't make sense - you're ready for him. You tell him there's something above sense. That here he must not try to think, he must feel. He must believe. Suspend reason and you can play it deuces wild.
As an actor, you express certain things because they need to be expressed, and then you don't really feel a need to do it again. I want to feel something else, you know?
There are the jobs you get that do something for your confidence, like, 'I can do this with my life' kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor, where other people feel like they can hire you.
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