A Quote by Lolly Adefope

One evening, I read David Nicholls' book 'One Day,' because our flat was a few streets down from Rankeillor Street, where the first chapter is set. — © Lolly Adefope
One evening, I read David Nicholls' book 'One Day,' because our flat was a few streets down from Rankeillor Street, where the first chapter is set.
When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.
Al Gore announced he is finishing up a new book about global warming and the environment. Yeah, the first chapter talks about how you shouldn't chop down trees to make a book that no one will read.
David Holdaway was my stage name. I was an actor for about eight years in the '90s. I had to change my name because there was another David Nicholls, and I thought if I changed it to my mother's name, she'd be touched.
What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.
For almost every novel I've written, I've read the daily newspaper of the time almost as if it were my current subscription. For 'Two Moons,' which was set in 1877, I think I read just about every day of the 'Washington Evening Star' for that year. For 'Henry and Clara,' I read the 'Albany Evening Journal' of the time.
I read one chapter of a book and put it down. Thank God for Kindle.
There will come a day when someone calls to tell me my column's been binned, and that will be a really hard day, and I've already got it set up so that they'll ring someone else first - because I don't want to be given that news when I'm walking down the street, because it will be really heartbreaking.
We tried the first evening to go down Division Street and Rush Street, but we couldn't get in anywhere because they didn't like [ Emilio Estevez] sneakers and they didn't like my boots. This was 1983 or '84, so it was ridiculous. We ended up at a jazz club, where you go downstairs and there's a very cool place.
I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.
Northwest Ohio is flat. There isn't much up. The land is so flat that a child from Toledo is under the impression that the direction hills go is down. Sledding is done down from street level into creek beds and road cuts.
I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.
In fact, every day I'll read a chapter of some art book. I don't know why. It's just a habit.
In that book which is my memory, On the first page of the chapter that is the day when I first met you, Appear the words, ‘Here begins a new life’.
Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.
You know, if you read a book, once you get to chapter five and stuff starts stepping up, it doesn't mean chapters one to four didn't happen. They happened, but now we're on the next chapter, and that's how I'd like to be perceived.
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