A Quote by Lolly Adefope
There's something really special, and addictive, about making that connection with an audience - knowing that they may never have seen you before, and may never see you again, but that for those moments you've been able to unite them all in laughter, and provide the escape that lies in that involuntary response.
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It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before ithas had time to reconcile its feelings to the change in circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere sur prise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contradictory appearances.
My life may not be something special But it's never been lived before.
I always think about the settlers who moved to New Zealand in the 1800s. They hadn't even been to the place before. They just packed their bags and shipped over knowing they'd never see their family again or be able to speak to them - they'd maybe get a letter if they were lucky.
I think that those moments before a performer plays are the moments when the potential for something to be created may - or may not - arrive.
One of the most sublime and hazardous moments in human experience comes when two people lock eyes and realize that they are sexually attracted to one another. They may not act on the knowledge.They may file it away for future reference. They may deny it. They may never see each other again. But the moment has happened, and for an instant all other considerations are insignificant.
We don't always know the details of our future. We do not know what lies ahead. We live in a time of uncertainty. We are surrounded by challenges on all sides. Occasionally discouragement may sneak in to our day; frustration may invite itself into our thinking; doubt might enter about the value of our work. In these dark moments Satan whispers in our ears that we will never be able to succeed, that the price isn't work the effort, and that our small part will never make a difference. He, the father of all lies, will try to prevent us from seeing the end from the beginning.
No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.
The pain comes from knowing that we have never been safe, and therefore will never be safe again. It comes from knowing we can never be so ignorant again. It comes from knowing we can never be children again. Losing innocence. Remembering heaven. That was the essence of hell.
I have known sorrow - therefore I
May laugh with you, O friend, more merrily
Than those who never sorrowed upon earth
And know not laughter's worth.
I have known laughter - therefore I
May sorrow with you far more tenderly
Than those who never guess how sad a thing
Seems merriment to one heart's suffering.
I have never seen any of my work, I can't watch it because I am ultra critical. We all have little mannerisms that people may love about us, but can be embarrassing. Perhaps we got teased about them as kids and we may not like them ourselves. That is what it is like for me, I can't look at myself on screen even if the audience loves what I am doing.
The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
Don’t you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there’s a huge possibility you’ll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn’t that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don’t you find that scary?
On the road again, goin' places that I've never been. Seein' things that I may never see again, and I can't wait to get on the road again.
When you are doubting whether a thing is worth the trouble of going to see, recollect that you will never again be so near it. You may repent not having seen it, but you can never repent having seen it.
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