A Quote by Lolly Adefope

I wanted to do standup, but I was too nervous. I felt it was too vulnerable basically to be yourself on stage. — © Lolly Adefope
I wanted to do standup, but I was too nervous. I felt it was too vulnerable basically to be yourself on stage.
I thought I would be too vulnerable on stage doing standup. I didn't want to get up there and say: 'This is who I am. I want you to like me.'
So initially getting up on stage I was really nervous, I was like, 'wow, I'm going to be standing there and all these people are going to be looking at me?' But funnily enough it wasn't too traumatic. It felt quite natural because I felt I looked good and I knew how to do the poses.
I won't be on the stage because my performing days are over. Basically I'm too old. I'm incapable of doing the job, I'm carrying too many injuries.
I played a role. That is what actors do. But I played it too well. I went too far. And by the time I wanted to stop, to take a bow and leave the stage, it was too late.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
I don't get too, like, you know, freaked out or nervous around famous people. But for some reason, Yvonne Orji is just one of those people where I'm like, I'm too - I would be too nervous to meet her.
I found with poetry that I couldn't keep it up. I was too vulnerable. Maybe I was too aware of the audience. And I had impossibly high standards that I could never approach. So there was always a sense of being a failure, and of being vulnerable.
It's hard not to read the success of someone like Hilary Mantel as the product of a world that is too nervous, too crazy, and perhaps too interesting for some people.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
On the environment and climate change, I suspect that future generations will think there was too much timidity, too much fear of upsetting business. Basically, New Labour was very nervous about regulating business, or requiring it to do anything, even when there was a very clear social or environmental case for doing so.
I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.
We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
There are so many ways of posturing that people associate with being a writer. They imagine you wearing a beret and drinking only red wine and being full of yourself, and so, for a long time, the way I felt about writing was too private. I felt it too important and didn't want to be teased about it. So I lied about it.
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