A Quote by Lolly Adefope
Whereas acting, you have to wait for someone else to give you the opportunity to do it, in comedy, you can just pick out your own strengths and be like, I'm just going to show the best bits to the world.
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I've been to acting school and I think that at the end of the day, when you just focus on the work and you're comfortable with who you are, that at some point someone's going to recognize your talent and give you an opportunity.
If you're wondering when you should give to or serve someone else, I believe in doing it spontaneously, perhaps in a shared moment of emotion. Or any time you feel like someone needs your support. Whether you do it all the time, occasionally, or when the opportunity arises, just do it. Reach out and give of yourself and your time. I have seen, time and again, that happiness and enjoyment arise from being of service in simple ways.
I don't like my voice that much. I think I'm a much better actress than singer. Singing is like going to a party at someone else's house. Acting is like having the party at your own house. When you go to someone else's house for a party, it's not your responsibility at all, but when you have the party at your own house, there's a lot of responsibility. Everyone has to have a good time. So for me, acting is deeper.
I would want people to be their own superheroes, save their own days, know that nobody else is gonna do it for you. You have to pick yourself up out of your dark moment; you gotta be your own source of light, just like I was for me.
When you're writing on someone else's show, you don't have to think as hard about nailing the perfect tone because you're kind of just like, 'Here's 20 ideas I thought of, and they can just pick the closest.'
You have to constantly be doing something and not just wait for someone to call you with an opportunity, you have to develop your own projects.
I think early on it's important to put that at the back of your mind and make your own choices. Sometimes you do pick the same choices, just as a matter of course - not because someone else did it first, but because it was the best choice to make. But any actor worth his salt makes something their own.
I didn't have to wait six years to get my show on the air, worry that someone else had a similar idea, or wait around for notes that took my voice out of the show.
But sometimes it's like you just meet someone and you just know that you're totally connected, and this person is, like, your brother - or your sister. Even if they don't, like, recognize it, you feel it. And in a lot of ways it don't matter if they do or they don't see that for what it is - all you can do is put the feeling out there. That's your duty. Then you just wait and see what comes back to you. That's the deal.
Sometimes you just need to talk to someone who is detached from you. They just listen to what you tell them and you get to form the way that they see you, whereas everyone else in your life already thinks they know what you're dealing with or what you're going through. That's my recommendation for actual anxiety.
If you're having a hard time recognizing your gifts, look to someone else you know who's been resourceful. You may be surprised by how your own strengths rise to the surface by watching someone else.
Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.
If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble.
Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.
You have to pick your places to "step up" and you have you pick your spots. If you're just going to run out there, and, just be what/who you want to be, then you won't be that long.
The best advice I was probably given and the best advice I could give someone who is trying to get into the comedy field is to take advantage of every opportunity you have to work to hone your skills.
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