A Quote by Lolly Adefope

When you first start gigging, it's about finding an audience. — © Lolly Adefope
When you first start gigging, it's about finding an audience.

Quote Author

In fact, I think more broadly about what an audience requires, but I want an audience to be fascinated by the process of finding an answer, or finding out there isn't one.
There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.
Country seems to be finding a bigger audience. Certainly an audience out of the general country scene is finding me.
That's what tournament football's all about. It's about finding your feet in the first game, finding what works, and gaining confidence.
If I make assumptions about the audience and start overthinking things, I can drive myself crazy about how the audience perceives me. I try not to do that anymore.
The struggle ends when the gratitude begins. The search is over when the finding starts. And the finding is not a finding at all, but a creating. You cannot find what you have been struggling for, but you can create it. And the jump-start of creation is gratitude.
I think it sort of dawns on you that if you're not gigging constantly you're not actually relevant. You may be relevant to a different part of the media now, to television commissioners and editors, but to a young live-comedy audience you're not, really.
Now for the first time, you can choose yourself. You can be responsible for what you do and how you do it. You have to do the hard work of finding and pleasing an audience.
I dropped out of school at 17 'cause all I wanted to do was play music. I had odd jobs on the side of gigging until I turned 22, when I was lucky to start doing this full time.
I started gigging when I was about 16, and I was way too young to be in the clubs.
There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet stay within the language you've established.
There are three sorts of pleasures which are advantageous, and three which are injurious. Finding pleasure in the discriminating study of ceremonies and music, finding pleasure in discussing the good points in the conduct of others, and finding pleasure in having many wise friends, these are advantageous. But finding pleasure in profligate enjoyments, finding pleasure in idle gadding about, and finding pleasure in feasting, these are injurious.
I'm really happy about American Woman, it brought the Guess Who back. They started gigging again and got their song out on commercials.
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