A Quote by Lolly Adefope
'The Miracle Workers' was the first time I've been on a big American TV set, so that felt very epic.
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I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
I've been to Africa many times in the past 20 years, but I can't believe this is the first time since the very first Red Nose Day, that I've been back to Ethiopia. The last time I was here was just after the famine and it was crazy, there were people all over the place, kids without families, aid workers, camera crews.
The first time I did a big American film, I was surprised by all the different financiers who came to the set and told the director what to do.
All of us in government service were elected to solve the problems that have plagued our nation. We are here to think big, to act boldly, and to rise above the petty, partisan squabbling of Washington, D.C. We are here to take action. It's time to start building our country with American workers and with American iron and aluminum and steel. It's time to put up soaring new infrastructure that inspires pride in our people and our towns. It is time at last to put America first.
Stephen Miller said, "Over time you would cut net migration in half, which polling shows is supported overwhelmingly by the American people in a very large number." This is why Donald Trump got elected. "It's a major promise to the American people to push for merit-based immigration reform that protects American workers, American taxpayers - protects the American economy - and prioritizes the needs of our citizens, our residents, and our workers. It's pro-America immigration", he said.
We should really focus on an American First agenda, and these climate pacts and climate regulations have been designed to not necessarily give American workers and the American environment a head start. It really gives our competition a greater ability to compete internationally and disadvantage American companies.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
We have seen numerous instances in which American businesses have brought in foreign skilled workers after having laid off skilled American workers, simply because they can get the foreign workers more cheaply. It has become a major means of circumventing the costs of paying skilled American workers or the costs of training them.
The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.
The problem with NAFTA was with what we wanted. And there, the agenda had been set by our corporations. So what is true is that workers in the United States and workers in the developing countries were often disadvantaged. They were worse off. The big winners were our corporations.
It's time we had a president who stood up for American workers first.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
Sometimes I'm on a TV set, and I can't feel what I'm supposed to feel as that character because I've not worked my way up to that point. I think there's a bit more insecurity on a set - you've got to blag it, or you've got to do what you've been paid a lot of money to do in a very short space of time.
I loved working with him [Justin Chadwick]. He was very smart in how he assembled the people around him and had a crew that he knew very well. He was very comfortable on the set and I never felt that I was working with a first-time filmmaker.
There were a lot of people shouting out. I know it's not proper tennis etiquette, but this is the first time I've ever played here that the crowd has been behind me like that. Today I felt American, you know, for the first time at the U.S. Open. So I've waited my whole career to have this moment and here it is. ... It was great. It was awesome. It was like winning gold.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
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