A Quote by Loni Anderson

Look at any black-and-white movie; everybody is smoking. — © Loni Anderson
Look at any black-and-white movie; everybody is smoking.
Films with predominantly white casts can come in any form, tell any story, big or small. For black films, you have the light, fluffy rom-coms or 'Madea' movies, and then you have the black-torture awards movie.
Indiscriminate tolerance and indiscriminate condemnation are not two opposites: they are two variants of the same evasion. To declare that “everybody is white” or “everybody is black” or “everybody is neither white nor black, but gray,” is not a moral judgment, but an escape from the responsibility of moral judgment.
I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
The United States is not a nation of black and white people. Any fool can see that white people are not really white, and that black people are not black.
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
Skilled in every trick, a worthy heir of his paternal craft, he would make black look like white, and white look black. [Lat., Furtum ingeniosus ad omne, Qui facere assueret, patriae non degener artis, Candida de nigris, et de candentibus atra.]
I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals — black and white — but then who thinks of a movie queen in black and white? Everything has to be in living color.
A hoodie is worn by everybody: kids, white men, white women, black men. But it clings to the black body as a sign of criminality like nothing else.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody.
Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody
There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
I prefer to stick to my old-lady goth/Steve Tyler look. I've found my look - white lipstick, black eyeliner, black clothes.
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