A Quote by Lonnie Johnson
Lady Luck is indifferent. She smiles sometimes, and she frowns sometimes.
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Reality is a magic lady, sometimes very mysterious. To me she is very passionate. She is real not only when she is awake, walking down the streets, but also at night when she is dreaming or when she is having nightmares. When I am writing, I am always paying tribute to her - to that lady called Reality.
Sometimes, she reflected, she dressed for courage, sometimes for success, and sometimes for the consolation of knowing that whatever else went wrong, at least she liked her clothes.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
You’ll meet her. She’s very pretty, even though sometimes she’s sad for many days at a time. You’ll see, when she smiles, you’ll love her.
She loves you, loathes you, treats you well, then ill. Like a leech or a surgeon's knife, she's double-edged: sometimes she'll cure, but sometimes she will kill.
Be not arrogant when fortune smiles, or dejected when she frowns.
She holds herself with such reserve. She smiles, but the smile doesn't reach her eyes, even in the company of the girls she's chosen to eat with. Why? I have no clue, and I really don't want to spend my time worrying about it. But my brain pushes at the question anyway. Why are people aloof? Because they don't want to let others in. Why don't they want to let others in? Well, sometimes because they're shy, and sometimes because they're convinced of their own superiority. But those aren't the only reasons. Sometimes it's because thay have something to hide.
With wavering steps does fickle fortune stray,
Nowhere she finds a firm and fixed abode;
But now all smiles, and now again all frowns,
She's constant only in inconstancy.
In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.
My sister can get critical sometimes and she don't care what she say or how she makes you feel sometimes. That's just who she is and that's her being a protective big sister.
She knows where she's going, and what she has to do. She could, after all, find her way to Route 95 South blindfolded. She could do it in the dark, in fair weather or foul; she can do it even when it seems she will run out of gas. It doesn't matter what people tell you. It doesn't matter what they might say. Sometimes you have to leave home. Sometimes, running away means you're headed in the exact right direction.
In time, she learned to develop her own opinion of the people that she worked for, and she got stronger. Think she's now much stronger. In the beginning she wanted to believe she was strong but sometimes she faltered.
Nothing was easy, and sometimes she failed, and sometimes she thought that the fairy stories were right, that there must indeed be easier ways of living happily ever after; but defeat is a poor ending to any tale, so she kept trying.
She is such a doer, Cara - she is so ambitious. She has always known what she wants, and she's a hustler. Sometimes I call her, and I'm like, 'You need to help me hustle,' and she is like, 'Come on!'
I really love Dinah Washington and anything live from her - she had some of the greatest jazz musicians in the whole world, and sometimes she would be with a big band, and sometimes she'd just be on stage with a muted trumpet, upright bass, and a piano.
When my daughter looks at me, she sees a small old lady. That is because she sees only with her outside eyes. She has no chuming, no inside knowing of things. If she had chuming she would see a tiger lady. And she would have careful fear.
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