A Quote by Lord Byron

Good work and joyous play go hand in hand. When play stops, old age begins. Play keeps you from taking life too seriously. — © Lord Byron
Good work and joyous play go hand in hand. When play stops, old age begins. Play keeps you from taking life too seriously.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
Since I play piano, I can play the right hand on the accordion, no problemo. It's the left hand with the buttons that makes me crazy.
You gotta play the hand that's dealt you. There may be pain in that hand, but you play it. And I've played it.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?
Work and play go hand in hand. A lot of people want to work, work, and work until 40, and then relax. Who says you'll get to 40? Or 50? Who knows what'll happen in the next five minutes? The only reality is the present. And if you can't learn to live in the moment, you'll never be content.
If you play the guitar, you've got to hold the chords down with one hand while you play with the other, so you're limited to one hand. But the piano is the king of instruments because you have your 10 fingers, which become the 10 members of the orchestra.
Della was my go all in. She was my winning hand. You can't play when you go all in and lose. I'm out." "No, you're not. This hand ain't over yet," Rush said.
It's nice to be thought of as attractive and all of that. On the other hand, it curtails you somewhat, too. They won't let me read for 'West Wing,' just to play, you know, a normal person. Or 'ER,' to play a doctor - the things I'm actually good at. I mean, I'm pretty good on foreign policy - they won't even let me come read for that.
You have no control over the hand that life deals you, but how you play that hand is entirely up to you.
Sacred space and sacred time and something joyous to do is all we need. Almost anything then becomes a continuous and increasing joy. What you have to do, you do with play. I think a good way to conceive of sacred space is as a playground. If what you're doing seems like play, you are in it. But you can't play with my toys, you have to have your own. Your life should have yielded some. Older people play with life experiences and realizations or with thoughts they like to entertain. In my case, I have books I like to read that don't lead anywhere.
I am getting to that age where I am too old to play the boy next door and too young to play Uncle Fester.
In and of itself, sports may be trivial, but as a symbol of the American way of life, it has enormous weight. We are seen, worldwide, as an enormously competitive, enthusiastic people who work as hard as we play and play as hard as we work. When baseball - which has traditionally canceled one day of games for huge national celebrations or disasters - stops play for six days, that has reverberations in the national consciousness.
I found myself in the doldrums in the early Nineties. I was too old to play the dolly bird any longer and I looked too young to play a woman of my real age. No one ever saw me as the aunt, mother or grandmother.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Of course men play roles, but women play roles too, blanker ones. They have, in the play of life, fewer good lines.
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