A Quote by Lord Byron

A schoolboy's tale, the wonder of an hour! — © Lord Byron
A schoolboy's tale, the wonder of an hour!
From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony. ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror.
And so, from hour to hour, we ripe and ripe. And then, from hour to hour, we rot and rot; And thereby hangs a tale.
There are those who scoff at the schoolboy, calling him frivolous and shallow: Yet it was the schoolboy who said 'Faith is believing what you know ain't so'.
A survival tale peels away the niceties and comforts of civilization. Suddenly, all the technology and education in the world means nothing. I think all of us wonder while reading a survival tale, 'What would I have done in this situation? Would I have made it?'
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
A lover goes toward his beloved as enthusiastically as a schoolboy leaving his books, but when he leaves his girlfriend, he feels as miserable as the schoolboy on his way to school. (Act 2, scene 2)
If there is one ‘constant’ in the structure and theme of the wonder tale, it is transformation.
Life is a fairy tale. Live it with wonder and amazement.
One of my heroes, G.K. Chesterton, said, "The old fairy tales endure forever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal." Discovering that the modern world can still contain the wonder and strangeness of a fairy tale is part of what my novels are about.
This is the violet hour, the hour of hush and wonder, when the affectations glow and valor is reborn, when the shadows deepen along the edge of the forest and we believe that, if we watch carefully, at any moment we may see the unicorn.
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
'1984' is not a wonder tale. Not only could it happen, but it has happened, but under different names.
The difference between a fairy tale and a sea tale? A fairy tale starts with "Once upon a time". A sea tale starts with " This ain't no $hit"!
And now, I'm a best selling author, a different sort of fairy tale that I still sometimes wonder when I'll wake up from.
But in a 24-hour day, the 25th hour is also the impossible hour, an hour that doesn't exist, that can only be created by the imagination.
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