A Quote by Lord Byron
What makes a regiment of soldiers a more noble object of view than the same mass of mob? Their arms, their dresses, their banners, and the art and artificial symmetry of their position and movements.
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Speak not of guilt, speak not of responsibility. When the Regiment of the Senses parades by, with music, and with banners; when the senses shiver and shudder, it is only a fool and and an irreverent person that will keep his distance, who will not embrace the good cause, marching towards the conquest of pleasures and passions. All of morality's laws - poorly understood and applied - are nil and cannot stand even for a moment, when the Regiment of the Senses parades by, with music, and with banners.
Categorical condemnation is the hatred of the mob. It makes cowards brave. And there is nothing more fearful than a religious mob, a mob overflowing with righteousness – as at the crucifixion and before and since. This can happen only after we have made a categorical refusal to kindness: to heretics, foreigners, enemies or any other group different from ourselves.
The experience of opposing mass movements was acquired by the KGB during perestroika. It was then that the politicians decided to develop and nourish mass movements for their purposes.
Nothing is bigger than life. There's nothing noble in death. What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead?
The pitifulest thing out is a mob; that's what an army is--a mob; they don't fight with courage that's born in them, but with courage that's borrowed from their mass, and from their officers. But a mob without any MAN at the head of it is BENEATH pitifulness.
Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).
There are travelers who fear to own delicate hands more than to meet a lion, and soldiers who would rather lose a limb than gain a beautiful nose by artificial methods.
The art of it is, the more we can bring complex game mechanics to a mass market, the more engaging the games will be. But at the same time, we have to simplify everything: the mass market has a lower attention span; they're not seeking that experience from the outset.
The tendency of liberals is to create bodies of men and women-of all classes-detached from tradition, alienated from religion, and susceptible to mass suggestion-mob rule. And a mob will be no less a mob if it is well fed, well clothed, well housed, and well disciplined.
U.S. soldiers, with whom I now have more than a passing acquaintance, joke that they track my movements in order to know where they will be deployed next.
Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
Art is a severe business; most serious when employed in grand and sacred objects. The artist stands higher than art, higher than the object. He uses art for his purposes, and deals with the object after his own fashion.
Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion.
History is reticent about women who were common soldiers, who bore arms, belonged to regiments, and took part in battles on the same terms as men, though hardly a war has been waged without women soldiers in the ranks.
Art is no longer snobbish or cowardly. It teaches peasants to use tractors, gives lyrics to young soldiers, designs textiles for factory women's dresses, writes burlesque for factory theatres, does a hundred other useful tasks. Art is as usueful as bread.
Buddhism doesn't really have much time for political mass-movements. We are so trained to think of politics in terms of acting collectively, acting as part of mass-movements, that it's become hard for us to imagine a form of politics that is based on a high degree of introspection and self-examination.
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