A Quote by Lord Byron

A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress. — © Lord Byron
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
I have forty-six cookbooks. I have sixty-eight takeout menus from four restaurants. I have one hundred and sixteen soy sauce packets. I have three hundred and eighty-two dishes, bowls, cups, saucers, mugs and glasses. I eat over the sink. I have five sinks, two with a view.
Think about that. Two hundred and eighty-five new or expanded programs, $2 trillion more in new spending, and not one new bureaucrat to file out the forms or answer the phones?
I played high school football at a hundred and eighty-five pounds and played big league baseball at a hundred and eighty-two. I'd get up to maybe 188 in the off-season because every summer I'd lose eight to ten pounds.
Mum said earlier what a lovely dress you’re wearing.” Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.” It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman. “I think you’ve really grown into it,” Valkyrie said. “I always thought it was a little shapeless.” Valkyrie resisted the urge to say that was what she meant.
Art is a jealous mistress; and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
Splendid cheeses they were, ripe and mellow, and with a two hundred horse-power scent about them that might have been warranted to carry three miles, and knock a man over at two hundred yards.
One hundred and eighty, divided by three, is one dart at a time
In the space of one hundred and seventy-six years the Mississippi has shortened itself two hundred and forty-two miles. Therefore, in the Old Silurian Period the Mississippi River was upward of one million three hundred thousand miles long, seven hundred and forty-two years from now the Mississippi will be only a mile and three-quarters long. There is something fascinating about science. One gets such wholesome returns of conjecture out of such a trifling investment of fact.
Four things to think about. 1. Beware of all enterprises that require new clothes, and not rather a new wearer of clothes. 2. Let your affairs be as two or three, and not a hundred. 3. Keep three chairs in your house. One for solitude, two for friendship, three for society. 4. To preserve your relationship to nature, make your life more moral, more pure, more innocent.
For me, architecture is an art the same as painting is an art or sculpture is an art. Yet, architecture moves a step beyond painting and sculpture because it is more than using materials. Architecture responds to functional outputs and environmental factors. Yet, fundamentally, it is important for me to stress the art in architecture to bring harmony.
There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.
Poetry, Painting & Music, the three Powers in man of conversing with Paradise, which the flood did not sweep away.
You heard people say forty was the new thirty and fifty was the new forty and sixty was the new forty-five, but you never heard anybody say eighty was the new anything. Eighty was just eighty.
Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilised life.
Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
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