A Quote by Lord Chesterfield
Dancing is, in itself, a very trifling and silly thing: but it is one of those established follies to which people of sense are sometimes obliged to conform; and then they should be able to do it well. And though I would not have you a dancer, yet, when you do dance, I would have you dance well, as I would have you do everything you do well.
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I remember my mom threatening me, half-serious: 'You know what? I should take you to Pittsburgh and put you in dance lessons just to keep you occupied.' Well, that brought everything to a screeching halt. 'Jeeze, dance lessons.' In retrospect, it would have been awesome, but then, 'Ugh, dancing - dancing's for sissies.'
I would love to be able to program myself to pick up any instrument and to be able to play it very, very well, and to be able to read music and dance as well. I'm very uncoordinated, and I'd love to be able to bust a really great move.
I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I wanted to take a stand against what I think was not so well established then but is thoroughly well established now, which is the substitution for a real sense of a country of a hideous distortion which you can sell to the people called 'heritage'.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
When I was eight, I would go crazy dancing in marriages. During Ganpati, I would dance on the street all night. I loved music and would be mad about dancing.
AJ Styles, he is very well established, very well known. He had a name that was very well known. I would think, outside of WWE, his might be the most outside-recognized wrestling name in the world. Samoa Joe as well. He could have debuted straight to Raw or SmackDown, absolutely.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
I used to go to those dance circles when I was a kid. When break dancing was first popular in the '80s. I would be in Boston, or I'd head up to New York, and I would stand in those circles, and I would just be blown away.
Would you dance, if I asked you to dance? Would you run, and never look back? Would you cry, if you saw me crying? And would you save my soul tonight?
I went to one of these signing conventions. It was one of the most interesting experiences I've had. It was so strange that people would pay for autographs. You keep thinking you should do a little dance for them as well or something.
I was going out dancing in clubs around New York, and that helped create 'Supermassive Black Hole.' Franz Ferdinand would have done it very well with that dance-type beat going on mixed with alternative guitar, and I've always wanted to find that.
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