A Quote by Lorde

I come from a short fiction background, and my mom is a poet, so I've always read poetry; I've always had a lot of different influences both linguistically and musically.
We've always had a lot of different influences and we've always liked catchy music from the Beatles to Cheap Trick to Elvis Costello.
I read very widely, both non-fiction and fiction, so I don't think there's a single writer who influences me.
I think of myself as a poet. I grew up with poetic influences - what I know from my background is the bardic poetry, which came down through oral tradition.
I've had so many different influences musically, even from people who aren't even musicians. If you're inspired by someone and you document it musically, then they are your influence.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I had a teacher once who said, "If you are going to write fiction, you should only read poetry." I have always been interested in the writers who care about their sentences and who really work on that level. I have always said that I hate writing, I love revision. So, the language is really important to me. And the comedy and the horror that come out of the language.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.
I found poetry at 12 and 13 and, lo and behold, learned that my attorney father had a background in poetry - as he wore dashikis and Afros in the '70s and named his kids Arabic names. He was a poet and a lot like The Last Poets and Gil Scott-Heron and all of these folks. He definitely was an artist.
I've always had an affinity for writers who have a poetry background, so I always liked Tennessee Williams.
I always had short hair, and I hated my short hair. I was always mistaken for a boy, but my mom wouldn't let me change my hair because she was always chasing me around with a hairbrush, and it was always tangled, so she just would cut it off, and she's right: short hair did suit me.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
The violin has always been important for me. My mom was a single mom and we moved around a lot, and so the violin was always the one constant I had. I always feel better when I had my violin. Playing it is cathartic.
I was a teacher most of my life, which I loved. I had a very happy working life, and when I retired, I thought I must do something, and I've always read a lot of fiction - you learn so much from fiction. My sentimental education came mostly from fiction, I should say, so I thought I'd try.
I did not always know I would be a writer. Until I had a room of my own, I did not write much at all - no more than any other child who read a lot of books. I began to write fiction and poetry when I first had a room that was truly my own with a door that shut and some measure, however fragile, of privacy.
I've always been a writer because I've always been a student. My mom's a retired professor, so I come from a very academic background. I love writing, you know?
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