A Quote by Lorde

I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
It's easy to sit there in the dugout when the game's going on and talk, chitchat about this and that. But I think paying attention, watching the pitcher, watching the game develop, putting yourself in situations you're not even in yet, anticipating the game, stuff like that, I think that really helps you take that extra step.
I like watching the other actors, but the hard thing about watching yourself is that the performance is done, and no matter how you'd like to tweak it, there's nothing you can do.
I think videos are really hard. I'm yet to be happy with a video. It's very weird watching yourself on camera, which I guess I'm going to have to get used to. I love the thought of being in them, but it's one thing to say that and another to actually do it.
I'm always watching. I'm watching everybody. San Antonio, Houston, Golden State, Washington, Boston, I'm watching everything. And my mind is always going: it's always running, and you're always trying to get an advantage somehow.
I'm watching some television tonight. I'm watching The Discovery Channel. You know, this channel, you never ever plan on watching this. It just happens. You're flickin' around, all of a sudden - boom - you're watching a mole for an hour-and-a-half.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
Watching the dailies and then watching the... episodes, it really hits you: 'Damn, I did that?' I must have been crazy to get into those situations.
As an actor, you pay attention very closely to everything that happens to you, and you're constantly watching others as well, trying to just find out where everything comes from.
I've always been quite good at watching someone do something and then picking it up, so I turned that talent to watching people on the film set, and just saw how small everything was and how intimate the scenes could be.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
I go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".
I always had watched pro wrestling. I happened to be watching the WWE Network one day and started watching differently: I wasn't watching it as a fan, but instead I was watching it as something that I could possibly be a part of.
I think good suspense and horror is really about creating situations that are relatable, and throwing a wrench in it and watching how people respond to it.
One guy that really inspired me was Michael Jordan. I wouldn't say that he inspired me as a sportsman, but I love going back and watching videos of him, especially how he conducts himself in interviews. He always seemed to be very careful about the words that he used and thought about everything differently to anybody else.
It's kind of hard to enjoy the film when you are watching yourself the whole time. But you do get on with it and try and appreciate everything else about the movie. At least that's what I do. It depends on how fresh in my memory the whole experience is.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
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