A Quote by Lore Segal

I read on a Kindle. I must be of the opinion that the new way to read is a pretty good way to read. It's a new way. Those of us who like the smell of books get upset but nevertheless this is the way we're going.
I think books find their way to you when you need them. Whenever I feel like I'm not going to live to read all the books I want to read, I remind myself that the important ones find their way to me.
When I'm making a new ballet, I usually read through the score a little bit, and then I have to go back and translate or transcribe all the counts for dancers because the way that you hear it is completely different from the way the musicians read and play it.
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
First, if you love the Kindle and it works for you, it isn't problematic, and you should ignore all my criticisms and read the way you want to read.
The way to become a poet is to read poetry and to imitate what you read and to read passionately and widely and in as involved a way as you can.
All good criticism should be judged the way art is. You shouldn't read it the way you read history or science.
I'm not someone who has a list of great books I would read if I only had the time. If I want to read a particular so-called classic, I go ahead and read it. If I had more time, I would certainly read more, but I'd read the way I always do - that is, I'd read whatever happened to interest me, not necessarily classics.
It's a fact that more people watch television and get their information that way than read books. I find new technology and new ways of communication very exciting and would like to do more in this field.
While I read almost all my newspapers online, I'm not a big fan of e-books because I like to see what I've read and remember it. Books are a way of making memory physical.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
I was given a dictionary when I was seven, and I read it because I had nothing else to read. I read it the way you read a book.
I may be the person who put "dieselpunk" into the conversation. I have always been a reader who reads in a really broad way. I read genre writers and I read literary fiction and I read books by dead people.
Read, read, read, read, read. Read everything. You can’t work unless you know the world, and outside of living in the world the best way to learn about the world is to read about it.
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
Read for yourselves, read for the sake of your inspiration, for the sweet turmoil in your lovely head. But also read against yourselves, read for questioning and impotence, for despair and erudition... and also read those whose darkness or malice or madness or greatness you can't understand because only in this way will you grow, outlive yourself, and become what you are.
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