A Quote by Lore Segal
I'm very moved and very excited. And it just seems to me here are houses and trees and streets that feel so different from New York. I feel very attached to London; I love it.
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As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
I simply love to live here. London is a world city. There is so much you can do. There are many different cultures here, and I just feel very, very comfortable.
When I am in London, I think my favourite city is London, but when I am in New York, I feel it is New York. It is very hard to choose between the two.
I just moved [Bloomington] because I didn't do well with New York. It made me kind of anxious and it was just incredibly expensive. It just has this very small-town feel.
I feel very much at home in Paris, but I'm attached to New York.
I think the one I'm most proud of as a songwriter is 'Breaking Your Heart' because it was just a different style for me. It was very - I feel like it was very old-timey Patsy Cline. It's got a very '50s feel to it, and I pushed myself to write those lyrics very intimately with my co-writer Ted Bruner.
I just love New York, I love the people. The energy of the place. I really feel energized working here. I've always been made to feel very welcome, and it's a tremendous city.
I take a very different approach to public service. I'm a person that always takes it out in the streets and in the courts... the tool box that is attached to me is very diverse.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I hate Technicolor. Everybody in a Technicolor movie seems to feel obliged to wear a lurid costume in each new scene and to stand around like a clotheshorse with a lot of very green trees or very yellow wheat or very blue ocean rolling away for miles and miles in every direction.
The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
I feel so very grateful to have the voice God gave me. It takes a lot of rest and training to sing, and I was lucky that I found a great teacher when I first moved to New York.
Spending $1 for a brand new house would feel very, very good. Spending $1,000 for a ham sandwich would feel very, very bad. Spending $19,000 for a small family car would feel, well, more or less right. But as with physical pain, fiscal pain can depend on the individual, and everyone has a different threshold.
I'm always excited about my upcoming shows. I love what I do; I feel very lucky to be able to do what I do, and I never get tired of it. Every time I'm backstage before a show and I feel the murmur of the crowd, it's just incredibly exciting. And I consider myself very fortunate to be able to do this for a job. It's a great life.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
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