A Quote by Loren Eiseley
Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.
Related Quotes
Awareness is that state of mind which takes in everything-the crows flying across the sky, the flowers on the trees, the people sitting in front, the colors they are wearing - being extensively aware, which needs watching, observing, taking in the shape of the leaf, the shape of the trunk, the shape of the head of another, what he is doing.
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
From MARS Volume 3 by Fuyumi Soryo: Kira: “Why do you go through all that just to race? I guess asking that is the same thing as asking why I draw….probably because I’m alive….that’s all there is to it. I sense colors in you. They’re strong and beautiful….and sad. I wondered what your colors were for a long time. They’re the colors of the sunset…the blazing shades of a sunset that burn just before the darkness sets in. You said it was nothing, but there’s no one as alive as you.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.
Black, white and nude are my essential colors. Each time I start a collection, I start with these colors; they are the elemental colors we refer to from the beginning.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
In 1978, the first flag was organic everything. It did have eight colors: the six colors of the rainbow we see today plus hot pink and turquoise. But pretty quickly on I realized that I would never be able to satisfy the demand for them by hand-dying fabric and these colors.
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results" colors.
I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.
There is nothing outside of us that is not at the same time in us, and as the external world has its colors the eye, too, has colors.
Before, I would just only stick to a few certain colors that were considered good for my skin tone and good for my hair. But ever since 'Stranger Things,' the wardrobe people there, they would always stick me in these super bright colors. I discovered all these new colors that I just like wearing.
I love the Fashion Fair Concealer Wheel. That's my little secret. It comes with three colors in it. What I like about it is that you could almost cover your whole face in it if you want because you can mix the colors to create the perfect shade that works with your skin.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
I was wondering about my eyes; one of my eyes--the left--saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.
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