A Quote by Loren Eiseley
It is frequently the tragedy of the great artist, as it is of the great scientist, that he frightens the ordinary man.
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It is frequently the tragedy of the great artist for example Vincent Van Gogh, as it is of the great scientist, that he frightens the ordinary man. If he is more than a popular story-teller it may take humanity a generation to absorb and grow accustomed to the new geography with which the scientist or artist presents us. Even then, perhaps only the more imaginative and literate may accept him. Subconsciously the genius is feared as an image breaker; frequently he does not accept the opinions of the mass, or man's opinion of himself.
I have been asked whether I would agree that the tragedy of the scientist is that he is able to bring about great advances in our knowledge, which mankind may then proceed to use for purposes of destruction. My answer is that this is not the tragedy of the scientist; it is the tragedy of mankind.
I wish I was a great writer or a great journalist or a great scientist or a great artist; I'm not.
I'm interested in ordinary experience, and regardless of the precise definition of ordinary, and I've found that in so-called ordinary experience, there is as much comedy, tragedy, sadness, as there is in great drama. And I don't invent it, I recognize it.
Roman Polanski is a man who cares deeply about his art and its place in this world. What happened to him on his incredible path is filled with tragedy, and most men would have collapsed. Instead, he became a great artist and continues to make great films.
The artist does not illustrate science; ... [but] he frequently responds to the same interests that a scientist does, and expresses by a visual synthesis what the scientist converts into analytical formulae or experimental demonstrations.
The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
No nation can be really great unless it is great in peace, in industry, integrity, honesty. Skilled intelligence in civic affairs and industrial enterprises alike; the special ability of the artist, the man of letters, the man of science, and the man of business; the rigid determination to wrong no man, and to stand for righteousness-all these are necessary in a great nation.
It is always a great honour to mention a truth which has not become widespread yet. One of these truths is that man has no soul; he has only 'body' and 'mind'. Man's unshakable belief on the soul will not change this scientific truth! No belief can be higher than the scientific truths! Man can be born, can walk and work and can think without owning a mysterious and an immaterial soul! The soullessness of the man is a great tragedy both for the man and for the religion. But Man, contrary to the religion, will come out with triumph from this tragedy.
Every great scientist becomes a great scientist because of the inner self-abnegation with which he stands before truth, saying: "Not my will, but thine, be done." What, then, does a man mean by saying, Science displaces religion, when in this deep sense science itself springs from religion?
So in every sense, from an independent artist to a major label artist, you just have to have great product, great faith and great people, they all go together.
You can wear ruffles; you can be a jock, and you can still be a great computer scientist, or a great technologist, or a great product designer.
The great scientist dares to differ from accepted 'facts' - think irrationally - let the artist do likewise.
The books of the great scientists are gathering dust on the shelves of learned libraries. And rightly so. The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but its universality is disembodied and anonymous. While the artist's communication is linked forever with its original form, that of the scientist is modified, amplified, fused with the ideas and results of others and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with the world than his work.
There is no greatness without passion to be great, whether it's the aspiration of an athlete or an artist, a scientist, a parent, or a businessperson.
A great artist is a great man in a great child.
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