A Quote by Lorene Scafaria

No I don't really write thinking about specific actors because it can get in the way a little bit. — © Lorene Scafaria
No I don't really write thinking about specific actors because it can get in the way a little bit.
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.
I grew up loving actresses or actors who were very classy but who seemed a little bit mysterious because you couldn't grasp what they're really thinking.
I certainly think that there's a little bit of me in all of my characters, because I feel like the only way you can write is if you put a little bit of yourself in there.
All you ever were was a little bit of the universe, thinking to itself. Very specific; this bit, here, right now. All the rest was fantasy.
A lot of actors know they want to be actors a little bit earlier on. I didn't even really start studying until I was about 22.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
I do find it easy to write songs about heartbreak; it comes really naturally to me. It was a little bit more difficult for me to break my mould and tackle different subjects. You know what it's like because you're a writer. You don't want to tread on the same territory. Writing about the personal stuff was a little difficult because I'd worry about who would read it and who would be offended by it.
I grew up loving actresses or actors who were very classy but who seemed a little bit mysterious because you couldn't grasp what they're really thinking. I mean, Grace Kelly always looked impossibly glamorous, yet you could always see there was something behind her eyes.
I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.
When I have been travelling around to speak in different countries, I am always offered help to write about the specific climate policies in specific countries. But that is not really necessary. Because the basic problem is the same everywhere.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
People write things in newspapers about me that aren't true - or that are true. They take pictures of my kids on the way to school. I get a little bit inured to it in a way that I think most people probably aren't.
Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.
I don't understand anyone thinking I'm sexy at all. I don't get it because, growing up as a kid, I wasn't. I was like a dork, fat, so for me it's really weird. I became famous in Australia when I was 18, and I was still a little bit chubby.
Really good director sometimes will kind of see what the actors are doing and then get in there. Because there's the realization that you have to find it a little bit and then kind of clump around and sniff it out.
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